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american-director audiences entire interested movies sort
If audiences are sort of interested in movies that are made like McDonald's hamburgers, which do have a value in the world, then we have to re-evaluate our entire career. Lana Wachowski
american-director genre mess start twist
With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it. Lana Wachowski
american-director films
There are a lot of films that are drug dramas, and we didn't want to tell Scarface again. Ted Demme
american-director people
No one is out to get you. It's just that... people are monkeys. Stan Brakhage
american-director billy bob brad clooney george known pitt stars
Billy Bob and Fran are very well known actors, but aren't the kind of movie stars in the sense that George Clooney and Brad Pitt are. Joel Coen
american-director dual external following haunted might searching shot truth
I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer. Philip Kaufman
american-director society structure
The danger is not so much in the economic structure of a society but in its intellectual structure. Philip Kaufman
american-director fought initially paramount san shoot though
This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased. Philip Kaufman
american-director atmosphere city create creepy great hitchcock homage movies shot sort twists vertigo
That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth. Philip Kaufman
films grateful knock loved parts television wonderful
Television has been very kind to me, I will never knock any opportunities they give me. I've had some wonderful parts and can never be grateful enough. I've always loved doing theatre, I find it tremendously exciting. I haven't done many films but those I have done, I have loved. Susan Hampshire
films great series status
I've wanted to do a series on great directors, and I think the idea was, in part, to show films that have this status of great craftsmanship. Rob Bibler
films people
I did a lot of short films online, so I come from that background where a lot of people see your stuff. Ben Schwartz
films nobody wants
You can make as many films as you like, but if nobody wants to put them on, what's the point? Timothy Spall
films people
Lots of people think the violence in the films I make is overwhelming, but they think they're seeing something that they aren't seeing. Park Chan-wook
films guy
T.V. is the place to do the kind of films that were done in the 40s and 50s: the little guy against the system. There are so many opportunities in T.V. to do more character pieces. Everything is so hard-edged in features. Cheryl Ladd
films great reasonable
We show great films at very reasonable prices. Frank Normile
films hit moved onto opportunity somebody wall
Like a lot of films at the end of 2008, they hit a wall with financing, which is why I moved back onto 'Stone.' In doing so, I had to let go of 'The Beautiful and the Damned,' to at least give them an opportunity to move forward with somebody else. John Curran
films harder since work
Since the first 'Singham,' many films have that kind of action. So we have to work harder to create something new. Rohit Shetty