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american-director audiences entire interested movies sort
If audiences are sort of interested in movies that are made like McDonald's hamburgers, which do have a value in the world, then we have to re-evaluate our entire career. Lana Wachowski
american-director genre mess start twist
With a genre like film noir, everyone has these assumptions and expectations. And once all of those things are in place, that's when you can really start to twist it about and mess around with it. Lana Wachowski
american-director films
There are a lot of films that are drug dramas, and we didn't want to tell Scarface again. Ted Demme
american-director people
No one is out to get you. It's just that... people are monkeys. Stan Brakhage
american-director billy bob brad clooney george known pitt stars
Billy Bob and Fran are very well known actors, but aren't the kind of movie stars in the sense that George Clooney and Brad Pitt are. Joel Coen
american-director dual external following haunted might searching shot truth
I shot a lot of close-ups on this movie 'cause there's like a dual mystery, she's searching through her haunted past to find some truth and she's also following an external mystery where she comes to think she might be the killer. Philip Kaufman
american-director society structure
The danger is not so much in the economic structure of a society but in its intellectual structure. Philip Kaufman
american-director fought initially paramount san shoot though
This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased. Philip Kaufman
american-director atmosphere city create creepy great hitchcock homage movies shot sort twists vertigo
That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth. Philip Kaufman