Quotes about american-photographer
american-photographer equivalent
The negative is the equivalent of the composer's score, and the print the performance. Ansel Adams
american-photographer began message pictures realise unless wrote
The combination of pictures and words together can be really effective, and I began to realise in my career that unless I wrote my own words, then my message was diluted. Galen Rowell
american-photographer criticize died expect fifteen knew mother people
It's like people expect me to criticize my mother who died when I was fifteen because all I knew from her was perfection, you know?
american-photographer brilliant fuzzy image worse
There is nothing worse than a brilliant image of a fuzzy concept.
american-photographer among bar bench consensus jurors opinion quite service
It is the consensus of opinion among the bench and the bar here that the women's service as jurors has been quite as satisfactory as that of the men.
american-photographer
I am a gambler. I decided to go in with Company E in the first wave. Robert Capa
american-photographer angles avoid certain evidence original people shoot
Now, I recognize that there are certain postures and angles that make people see red, which are evidence of original sin or something, and I avoid that. I don't shoot that any more.
american-photographer concern consider human pictures simply
Sometimes I think all my pictures are just pictures of me. My concern is... the human predicament; only what I consider the human predicament may simply be my own. Richard Avedon
american-photographer good mary moment plays pushing recorder
They all have some talent. Mary plays the recorder beautifully. I am not pushing them on, though. They are pretty good at the moment just being kids. Linda McCartney
american-photographer gave good kept kodak man shots
The man at Kodak told me the shots were very good and if I kept it up, they would give me an exhibition. Later, Kodak gave me my first exhibition. Gordon Parks
american-photographer people
There's another horizon out there, one more horizon that you have to make for yourself and let other people discover it, and someone else will take it further on, you know.
american-photographer
Washington, D.C. in 1942 was not the easiest place in the world for a Negro to get along.
american-photographer constant filtering home information itself mothers
But the constant filtering into the home of information about government, through mothers now as well as fathers, is making itself felt.
american-photographer expected
That was my first day in Washington, D.C., in 1942. I had experienced a kind of bigotry and discrimination here that I never expected to experience.
american-photographer cost spam time web
Who has time to manually spam web sites? That can't be very cost effective.
american-photographer born early fifteen good minnesota raised spent until
Well, I was born in Kansas, raised in Minnesota and spent a good part of my early life, up until I was about fifteen or sixteen, in Kansas.
american-photographer six
Out of the six of us, I am the quietest.
american-photographer fact groups high point serving type unusually whenever women
Owing to the fact that leaders in the women's groups made a point of serving on the jury here whenever they were called, we have always had an unusually high type of women represented on the jury. Florence Ellinwood Allen
american-photographer carried dramatic fact money movement totally women won worth
The fact that the movement was carried on by women who, for the most part, had no money of their own and were totally inexperienced in organization, and that they won their fight in about two generations, makes a story often dramatic and always worth preserving.
american-photographer houses lives subject terms
The subject must be thought of in terms of the 20th century, of houses he lives in and places he works, in terms of the kind of light the windows in these places let through and by which we see him every day. Arnold Newman
american-photographer people
It is more important to click with people than to click the shutter. Alfred Eisenstaedt
american-photographer
When you start out, you're not really aware. I didn't have a sense of photographic history. Herb Ritts
american-photographer elements felt foreign halfway home matter
That's why I felt so at home when I went to Africa. It didn't matter that I was halfway around the world in a foreign country, because all those elements are universal. And I think that's one thing about my work: It's universal.
american-photographer arrested became fearful japan kept paul stuff
When Paul was arrested in Japan for having hash in his luggage, I thought he'd be out that night. But it became really serious stuff when he was kept in a cell. I became more fearful as the days went by.
american-photographer both came children families people
We both came from families in which parents got married, had children and the whole thing. So we were not the kind of people to live together permanently.
american-photographer anyone lived lives married wood
When I married Paul, we lived in St John's Wood in London. We had nice next-door neighbours, but you don't know anyone else. Everyone lives in isolation.
american-photographer liked nights paul spend time
We spend so much time together, because that's how we like it. I never used to go on girl's nights out, even at school. And Paul has never liked going out for a night with the boys, either.
american-photographer close lasted
We have lasted this long close together, so we must have something going for each other.
american-photographer hemingway man married paul
I wasn't looking for another marriage. I had been married before. He is a nice man - a geologist, an Ernest Hemingway type. But Paul and I married because of convention.
american-photographer life
I would like them all to enjoy life and try different things until there is something they really like.
american-photographer courage join paul persuaded playing
Paul persuaded me to join the band. I would never have had the courage otherwise. It was fun at the beginning. We were playing just for fun, with Paul's group.
american-photographer
If slaughterhouses had glass walls the whole world would be vegetarian.
american-photographer art
I think all art is about control - the encounter between control and the uncontrollable.