Ada Louise Huxtable
Ada Louise Huxtable
Ada Louise Huxtablewas an architecture critic and writer on architecture. In 1970 she was awarded the first ever Pulitzer Prize for Criticism. The esteemed architecture critic Paul Goldberger, also a Pulitzer Prize-winnerfor architectural criticism, said in 1996: "Before Ada Louise Huxtable, architecture was not a part of the public dialogue." "She was a great lover of cities, a great preservationist and the central planet around which every other critic revolved," said architect Robert A. M. Stern, dean of the Yale...
NationalityAmerican
ProfessionCritic
Date of Birth14 March 1921
CountryUnited States of America
Ada Louise Huxtable quotes about
art self feelings
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line, it is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work. What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
paris consistency style
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
real gold pot
Real estate is the closest thing to the proverbial pot of gold.
style world way
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
art lying tragedy
The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
art new-york impact
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.
real friendly united-states
Surrogate experience and surrogate environments have become the American way of life. Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected - accessible and user-friendly ...
real california fake
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
art responsibility vision
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
art cutting history
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
art strong civilization
Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization. The skyscraper is the point where art and the city meet.
iron-will long feelings
Really living without clutter takes an iron will ... This involves eternal watchfulness and that oldest and most relentless of the housewife's occupations, picking up. I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
country judging design
Because it is a national landmark, there is only one way to judge the Kennedy Center - against the established standard of progressive and innovative excellence in architectural design that this country is known and admired for internationally. Unfortunately, the Kennedy Center not only does not achieve this standard of innovative excellence; it also did not seek it. The architect opted for something ambiguously called 'timelessness' and produced meaninglessness. It is to the Washington manner born. Too bad, since there is so much of it.
home may matter
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.