Adam Rapp
Adam Rapp
Adam Rappis an American novelist, playwright, screenwriter, musician and film director. His play, Red Light Winter, was a Pulitzer Prize finalist in 2006...
NationalityAmerican
ProfessionPlaywright
Date of Birth15 June 1968
CountryUnited States of America
song heart talking
I don't mind him not talking so much, because you can hear his voice in your heart; the same way you can hear a song in your head even if there isn't a radio playing; the same way you can hear those blackbirds flying when they're not in the sky
school support community
I would hope that the staffs at juvenile detention centers and reform schools are carefully chosen so that there is a community of support and hope.
fun laughing rehearsal
Whenever I've been in rehearsals, it's really fun, there's always laughing.
character writing gun
I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.
real book writing
Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
running sky forever
You can't run forever. There's only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky. And you can't go anywhere in the sky unless you have a plane or some kind of rocket.
girlfriend character emotional
My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
fighting thinking play
I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, "well if I'm going to fight against this, I should learn how to direct".
thinking village east
I dont see a lot of movies that portray the East Village as well as I think they can.
writing play people
One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
thinking compassion years
I think there is a complicated side effect to overcoming evil in that we are forever changed by it. I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
ideas directors stealing
I began stealing a lot of ideas from other directors I had worked with.
simple people forever
In Chekhov, when people leave, a carriage is taking them away forever. The stakes are so high just for someone to make a simple exit. And now we have all this access to public transportation, automobiles and jets and the Internet; we're so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
dream scary suffering
I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.