Ai Weiwei
Ai Weiwei
Ai Weiwei; born 28 August 1957 in Beijing) is a Chinese Contemporary artist and activist. His father's side's original surname is 蔣 Jiang. Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics. As a political activist, he has been highly and openly critical of the Chinese Government's stance on democracy and human rights. He has investigated government corruption and cover-ups, in particular the Sichuan schools corruption scandal...
NationalityChinese
ProfessionSculptor
Date of Birth18 May 1957
CityBeijing, China
CountryChina
To survive, China had to open up to the West. It could not survive otherwise. This was after many millions have died of hunger in a country that was like North Korea is today. Once we became part of global competition, we had to agree to some rules. It's painful, but we had to. Otherwise there was no way to survive.
Widespread state control over art and culture has left no room for freedom of expression in the country. For more than 60 years, anyone with a dissenting opinion has been suppressed. Chinese art is merely a product: it avoids any meaningful engagement. There is no larger context. Its only purpose is to charm viewers with its ambiguity.
We see the tendency in the world to criticise democracy and sometimes even to say that authoritarian countries like China are more efficient. That is very short-sighted. China looks efficient only because it can sacrifice most people's rights. This is not something the west should be happy about.
Behind every political deal in this country, the first casualties are always the ordinary people, who are barely treated as human.
China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.
Once you've tasted freedom, it stays in your heart and no one can take it. Then, you can be more powerful than a whole country.
This nation is notorious for its ability to make or fake anything cheaply. 'Made-in-China' goods now fill homes around the world. But our giant country has a small problem. We can't manufacture the happiness of our people.
The Beijing Olympics and the Shanghai World Expo show just how much effort China is willing to spend to enter the global stage. But while China desires to understand the world, it fails to accept its universal values.
People are always wondering if I am an artist or political activist or politician. Maybe I'll just clearly tell you: Whatever I do is not art. Let's say it is just objects or materials, movies or writing, but not art, OK?
Twitter was like a poem. It was rich, real and spontaneous. It really fit my style. In a year and a half, I tweeted 60,000 tweets, over 100,000 words. I spent a minimum eight hours a day on it, sometimes 24 hours.
The internet is a wild land with its own games, languages and gestures through which we are starting to share common feelings.
Police in China can do whatever they want; after 81 days in arbitrary detention you clearly realise that they don't have to obey their own laws. In a society like this there is no negotiation, no discussion, except to tell you that power can crush you any time they want - not only you, your whole family and all people like you.
To protect the right of expression is the central part of an artist's activity... In China many essential rights are lacking, and I wanted to remind people of this.
The Olympic Games are highly commercialised. They purport to follow the traditions of an ancient athletics competition, but today it is the commercial aspect that is most apparent. I have seen how, through sport, cities and corporations compete against each other for financial gain.