Ai Weiwei
Ai Weiwei
Ai Weiwei; born 28 August 1957 in Beijing) is a Chinese Contemporary artist and activist. His father's side's original surname is 蔣 Jiang. Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics. As a political activist, he has been highly and openly critical of the Chinese Government's stance on democracy and human rights. He has investigated government corruption and cover-ups, in particular the Sichuan schools corruption scandal...
NationalityChinese
ProfessionSculptor
Date of Birth18 May 1957
CityBeijing, China
CountryChina
Through my work and ways of expression, I strive to engage in dialogue with the society that I am living in.
The Beijing Olympics and the Shanghai World Expo show just how much effort China is willing to spend to enter the global stage. But while China desires to understand the world, it fails to accept its universal values.
People are always wondering if I am an artist or political activist or politician. Maybe I'll just clearly tell you: Whatever I do is not art. Let's say it is just objects or materials, movies or writing, but not art, OK?
Twitter was like a poem. It was rich, real and spontaneous. It really fit my style. In a year and a half, I tweeted 60,000 tweets, over 100,000 words. I spent a minimum eight hours a day on it, sometimes 24 hours.
The internet is a wild land with its own games, languages and gestures through which we are starting to share common feelings.
Police in China can do whatever they want; after 81 days in arbitrary detention you clearly realise that they don't have to obey their own laws. In a society like this there is no negotiation, no discussion, except to tell you that power can crush you any time they want - not only you, your whole family and all people like you.
To protect the right of expression is the central part of an artist's activity... In China many essential rights are lacking, and I wanted to remind people of this.
The Olympic Games are highly commercialised. They purport to follow the traditions of an ancient athletics competition, but today it is the commercial aspect that is most apparent. I have seen how, through sport, cities and corporations compete against each other for financial gain.
The seed is a household object but at the same time it is a revolutionary symbol.
This nation is notorious for its ability to make or fake anything cheaply. 'Made-in-China' goods now fill homes around the world. But our giant country has a small problem. We can't manufacture the happiness of our people.
I think of art as coming from daily life, daily experience. I think it's very important not to have it become work for some kind of elite circle.
Many people I know - writers, poets - they have all been sentenced not once but sometimes three times after they come out. They serve five or six years, come out another time, and then nine years. Come out again, 12 years. Only because they have a different opinion. They are innocent people, they have beautiful minds, beautiful hearts.
I always admire writers. My father was a writer, a poet. I always admire people who can clearly state their mind.
Warhol influenced me because of his writing. If I had never read his writings and interviews, I would never have understood his work.