Alain de Botton
Alain de Botton
Alain de Botton, FRSLis a Swiss-born, British-based self-help philosopher and public speaker. His books and television programmes discuss various contemporary subjects and themes, emphasizing philosophy's relevance to everyday life. At 23, he published Essays in Love, which went on to sell two million copies. Other bestsellers include How Proust Can Change Your Life, Status Anxietyand The Architecture of Happiness...
NationalityEnglish
ProfessionWriter
Date of Birth20 December 1969
beautiful commitment giving
We need objects to remind us of the commitments we've made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we're in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
beautiful mean cutting
To cut out every negative root would simultaneously mean choking off positive elements that might arise from it further up the stem of the plant. We should not feel embarrassed by our difficulties, only by our failure to grow anything beautiful from them.
beautiful lying believe
Perhaps because the origins of a certain kind of love lie in an impulse to escape ourselves and out weaknesses by an alliance with the beautiful and noble. But if the loved ones love us back, we are forced to return to ourselves, and are hence reminded of the things that had driven us into love in the first place. Perhaps it was not love we wanted after all, perhaps it was simply someone in whom to believe, but how can we continue to believe the the beloved now that they believe in us?
beautiful beautiful-things our-lives
It is perhaps when our lives are at their most problematic that we are likely to be most receptive to beautiful things.
beautiful should embarrassed
We should not feel embarrassed by our difficulties, only by our failure to grow anything beautiful from them.
beautiful appreciation pain
It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
beautiful film cry
The moment we cry in a film is not when things are sad but when they turn out to be more beautiful than we expected them to be.
beautiful sleep thinking
Endeavoring to purchase something we think beautiful may in fact be the most unimaginative way of dealing with the longing it excites in us, just as trying to sleep with someone may be the bluntest response to a feeling of love.
believe thinking people
.. if you asked most people whether they believed in love or not, they’d probably say they didn’t. Yet that’s not necessarily what they truly think. It’s just the way they defend themselves against what they want. They believe in it, but pretend they don’t until they’re allowed to. Most people would throw away all their cynicism if they could. The majority just never gets the chance.
lonely book should
It is perhaps sad books that best console us when we are sad, and to lonely service stations that we should drive when there is no one for us to hold or love.
home sky weather
We are sad at home and blame the weather and the ugliness of the buildings, but on the tropical island we learn that the state of the skies and the appearance of our dwellings can never on their own underwrite our joy nor condemn us to misery.
sublime alternatives lessons
Sublime places repeat in grand terms a lesson that ordinary life typically teaches viciously: that the universe is mightier than we are, that we are frail and temporary and have no alternative but to accept limitations on our will; that we must bow to necessities greater than ourselves.
book way oneself
The only possible way to begin a book is to tell oneself that its eventual failure is guaranteed — but survivable.
mean purpose demand
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread