Alain de Botton
![Alain de Botton](/assets/img/authors/alain-de-botton.jpg)
Alain de Botton
Alain de Botton, FRSLis a Swiss-born, British-based self-help philosopher and public speaker. His books and television programmes discuss various contemporary subjects and themes, emphasizing philosophy's relevance to everyday life. At 23, he published Essays in Love, which went on to sell two million copies. Other bestsellers include How Proust Can Change Your Life, Status Anxietyand The Architecture of Happiness...
NationalityEnglish
ProfessionWriter
Date of Birth20 December 1969
art feelings might
Art cannot single-handedly create enthusiasm... it merely contributes to enthusiasm and guides us to be more conscious of feelings that we might previously have experienced only tentatively or hurriedly.
book giving feelings
It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
class envy feelings
We study biology, physics, movements of glaciers... Where are the classes on envy, feeling wronged, despair, bitterness...
ideas cynical feelings
Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.
sexy feelings excitement
The more closely we analyze what we consider 'sexy,' the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
believe thinking people
.. if you asked most people whether they believed in love or not, they’d probably say they didn’t. Yet that’s not necessarily what they truly think. It’s just the way they defend themselves against what they want. They believe in it, but pretend they don’t until they’re allowed to. Most people would throw away all their cynicism if they could. The majority just never gets the chance.
lonely book should
It is perhaps sad books that best console us when we are sad, and to lonely service stations that we should drive when there is no one for us to hold or love.
home sky weather
We are sad at home and blame the weather and the ugliness of the buildings, but on the tropical island we learn that the state of the skies and the appearance of our dwellings can never on their own underwrite our joy nor condemn us to misery.
sublime alternatives lessons
Sublime places repeat in grand terms a lesson that ordinary life typically teaches viciously: that the universe is mightier than we are, that we are frail and temporary and have no alternative but to accept limitations on our will; that we must bow to necessities greater than ourselves.
book way oneself
The only possible way to begin a book is to tell oneself that its eventual failure is guaranteed — but survivable.
mean purpose demand
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
love two world
Every adult life could be said to be defined by two great love stories: the story of our quest for sexual love and the story of our quest for love from the world.
good-life views skills
If optimism is important, it's because many outcomes are determined by how much of it we bring to the task. It is an important ingredient of success. This flies in the face of the elite view that talent is the primary requirement of a good life, but in many cases the difference between success and failure is determined by nothing more than our sense of what is possible and the energy we can muster to convince others of our due. We might be doomed not by a lack of skill, but by an absence of hope!
mistake degrees imagine
The degree of sympathy we feel regarding another's fiasco is directly proportional to how easy or difficult it is for us to imagine ourselves, under like circumstances, making a similar mistake.