Alan Bennett
Alan Bennett
Alan Bennettis an English playwright, screenwriter, actor and author. He was born in Leeds and attended Oxford University where he studied history and performed with the Oxford Revue. He stayed to teach and research medieval history at the university for several years. His collaboration as writer and performer with Dudley Moore, Jonathan Miller and Peter Cook in the satirical revue Beyond the Fringe at the 1960 Edinburgh Festival brought him instant fame. He gave up academia, and turned to writing...
NationalityEnglish
ProfessionScreenwriter
Date of Birth9 May 1934
It was the kind of library he had only read about in books.
Books are not about passing the time. They're about other lives. Other worlds.
To begin with, it's true, she read with trepidation and some unease. The sheer endlessness of books outfaced her and she had no idea how to go on; there was no system to her reading, with one book leading to another, and often she had two or three on the go at the same time.
Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.
But then books, as I'm sure you know, seldom prompt a course of action. Books generally just confirm you in what you have, perhaps unwittingly, decided to do already. You go to a book to have your convictions corroborated. A book, as it were, closes the book.
... Once I start a book I finish it. That was the way one was brought up. Books, bread and butter, mashed potato - one finishes what's on one's plate. That's always been my philosophy.
You don't put your life into your books, you find it there.
Definition of a classic: a book everyone is assumed to have read and often thinks they have.
A book is a device to ignite the imagination.
The appeal of reading, she thought, lay in its indifference: there was something undeferring about literature. Books did not care who was reading them or whether one read them or not. All readers were equal, herself included. Literature, she thought, is a commonwealth; letters a republic.
What she was finding also was how one book led to another, doors kept opening wherever she turned and the days weren't long enough for the reading she wanted to do.
I don't talk very well. With writing, you've time to get it right. Also I've found the more I talk the less I write, and if I didn't write no one would want me to talk anyway.
Books are not about passing time. They're about other lives. Other worlds. Far from wanting time to pass, one just wishes one had more of it. If one wanted to pass the time one could go to New Zealand.
The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours