Alan Bennett
Alan Bennett
Alan Bennettis an English playwright, screenwriter, actor and author. He was born in Leeds and attended Oxford University where he studied history and performed with the Oxford Revue. He stayed to teach and research medieval history at the university for several years. His collaboration as writer and performer with Dudley Moore, Jonathan Miller and Peter Cook in the satirical revue Beyond the Fringe at the 1960 Edinburgh Festival brought him instant fame. He gave up academia, and turned to writing...
NationalityEnglish
ProfessionScreenwriter
Date of Birth9 May 1934
I'm not "happy" but I'm not unhappy about it.
Papers like the Mail make out that people are prurient and outraged; I don't think people really care.
I have no nickname, as there has never been any need for one.
Full-blooded romantic love I wouldn't be able to write about.
Feeling I'd scarcely arrived at a style, I now find I'm near the end of it. I'm not quite sure what Late Style means except that it's some sort of licence, a permit for ageing practitioners to kick their heels up.
I'm less genial than people think, but I'm too timid to seem nasty.
Closing a public library is child abuse, really, because it hinders child development.
I do not long for the world as it was when I was a child. I do not long for the person I was in that world. I do not want to be the person I am now in that world then. None of the forms nostalgia can take fits. I found childhood boring. I was glad it was over.
I didn't even have a clear idea of why I wanted to go to Oxford - apart from the fact I had fallen in love with the architecture. It certainly wasn't out of some great sense of academic or intellectual achievement. In many ways, my education only began after I'd left university.
We were all miners in our family. My father was a miner. My mother is a miner. These are miner's hands, but we were all artists, I suppose, really. But I was the first one who had the urge to express myself on paper rather than at the coalface.
The bits I most remember about my school days are those that took place outside the classroom, as we were taken on countless theatre visits and trips to places of interest.
Teachers need to feel they are trusted. They must be allowed some leeway to use their imagination; otherwise, teaching loses all sense of wonder and excitement.
If, for instance, we'd made the film after the show had been to Broadway, it would have been exactly the same film but we would have been assured that they would have understood it. We didn't have to do any alterations for Broadway. I was supposed to go a fortnight before it opened to alter anything that was necessary and there was nothing really.
f they'd been working with Alec Guinness, for instance, they wouldn't have known they were born if they'd not towed the line!