Arthur Koestler
Arthur Koestler
Arthur Koestler, CBEwas a Hungarian-British author and journalist. Koestler was born in Budapest and, apart from his early school years, was educated in Austria. In 1931 Koestler joined the Communist Party of Germany until, disillusioned by Stalinism, he resigned in 1938. In 1940 he published his novel Darkness at Noon, an anti-totalitarian work that gained him international fame. Over the next 43 years, from his residence in Britain, Koestler espoused many political causes, and wrote novels, memoirs, biographies and numerous...
NationalityHungarian
ProfessionPhilosopher
Date of Birth5 September 1905
The creativity and pathology of the human mind are, after all, two sides of the same medal coined in the evolutionary mint. The first is responsible for the splendour of our cathedrals, the second for the gargoyles that decorate them to remind us that the world is full of monsters, devils, and succubi.
Creativity in science could be described as the act of putting two and two together to make five
Creativity is the defeat of habit by originality.
True creativity often starts where language ends.
The process of evolution may be described as differentiation of structure and integration of function. The more differentiated and specialized the parts, the more elaborate co-ordination is needed to create a well-balanced whole. The ultimate criterion of the value of a functional whole is the degree of its internal harmony or integratedness, whether the functional whole is a biological species or a civilization or an individual. A whole is defined by the pattern of relations between its parts, not by the sum of its parts; and a civilization is not defined by the sum of its science, technology, art and social organization, but by the total pattern which they form, and the degree of harmonious integration in that pattern.
The fact is: I no longer believe in my own infallibility. That is why I am lost.
I went to Communism as one goes to a spring of fresh water, and I left Communism as one clambers out of a poisoned river strewn with the wreckage of flooded cities and the corpses of the drowned.
The 'gallows' are not only a symbol of death, but also a symbol of cruelty, terror and irreverence for life; the common denominator of primitive savagery, medieval fanaticism and modern totalitarianism.
Two half-truths do not make a truth, and two half- cultures do not make a culture
...the crimes of violence committed for selfish, personal motives are historically insignificant compared to those committed ad majorem gloriam Dei, out of a self-sacrificing devotion to the flag, a leader, a religeous faith or political conviction.
Hitherto man had to live with the idea of death as an individual; from now onward mankind will have to live with the idea of its death as a species.
History is a priori amoral; it has no conscience.
To want to meet an author because you like his books is as ridiculous as wanting to meet the goose because you like pate de foie gras.
No writer or teacher or artist can escape the responsibility of influencing others whether he intends to or not, whether he is conscious of it or not.