Asghar Farhadi
Asghar Farhadi
Asghar Farhadiis an internationally, critically acclaimed Iranian film director and screenwriter. Among many other awards, he has received a Golden Globe Award and an Academy Award for Best Foreign Language Film for his movie A Separation. He was named one of the 100 Most Influential People in the world by Time magazine in 2012...
NationalityIranian
ProfessionDirector
Date of Birth7 May 1972
periods theater deals
I gained a great deal from the period during which I worked in theater and I value those things a great deal.
daughter blessing two
One of the biggest blessings in my life is that I have a very wonderful family, a lovely wife and two lovely daughters.
issues important feels
I feel its important to talk about the complex issues affecting us.
math trying lines
I tend to jot down moments, lines, interactions that don't really make any sense. I try and explain these scattered notes to my close friends, and they become more and more logical. I see screenwriting as a bit like a math equation which I have to solve.
zero character writing
Because I write the screenplay entirely and precisely, there is the danger that an actor might feel that this finite role is being imposed on them. I want the actors to feel that this is their own role, and that they can go back to point zero and develop this character.
games expectations layers
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath there is a hidden theme. The result of each twist is that the judgment of the audience member is challenged.
drama mean stories
I like storytelling, and for storytelling you need a drama. And for there to be drama, you need twists, and by twists I mean the ability to constantly change the trajectory of the story.
writing imagine careful
I'm always careful about the thing I'm writing to make sure a viewer can imagine it happening to themselves.
believe emotional thinking
The fact that I do place music at the end of my films is not to accentuate the emotion. It serves an opposite purpose which is to remove them from the emotional space and allow them to enter a space of thinking, because I believe that when the audience is watching the film they're watching it with their feelings.
insulting sit
I think it's insulting to an audience to make them sit and watch a film and then give them a message in one sentence.
bring element iran means people pleasant pleasure
I feel that it means a lot to the people of Iran that my film is represented at the Oscars, and it makes me happy to bring them that joy, that I'm representing them and that I'm able to give them that element of pleasure to be the envoy from Iran. It's a very pleasant thing.
cooperation public trying unless
Unless you're trying to make a movie on the sly, there's no way to get around this. If you want to use public spaces, film on the streets, have the cooperation of the police, you have to have a permit.