Ben Affleck
Ben Affleck
Benjamin Geza Affleck-Boldt, better known as Ben Affleck, is an American actor and filmmaker. He began his career as a child actor, starring in the PBS educational series The Voyage of the Mimi. He later appeared in the coming-of-age comedy Dazed and Confusedand various Kevin Smith films including Chasing Amyand Dogma. Affleck gained fame when he and childhood friend Matt Damon won the Golden Globe and Academy Award for Best Original Screenplay for Good Will Hunting. He then starred in...
NationalityAmerican
ProfessionMovie Actor
Date of Birth15 August 1972
CityBerkeley, CA
CountryUnited States of America
I have definitely noticed that I care less about certain things. Other actors are like: "You can't do that", or "You can't do this. This will position you in the wrong way." That's not my thing. And obviously so, because you can see I don't craft or cultivate my career.
The one benefit of having done all kinds of movies as an actor is, you learn the pros and cons of being tempted to do a really big movie because it costs a lot of money.
As an actor, you can steer a scene in another direction by playing it a little differently. And honestly? I like being an actor, and I want to keep having a career.
Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.
It wasn't my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.
I really think that everybody would like to be an actor. Why wouldn't they? It's great work if you can get it. The one thing that prevents most people from saying, 'I'm just gonna go to Hollywood!' is that it seems unrealistic.
No actor forgets the times he couldn't get a job. I think everyone doing this operates from that fear. You don't want that momentum to stop when you get it
I'm a writer. An amateur photographer. An actor.
No matter what you're doing, if you're trying to make a movie, you need to be working with people that are really good and who make you better.
It's much nicer to be praised than to be damned. But you have to have a certain sense of your own priorities and ideas about what works and what doesn't because otherwise, if you're just looking for eternal validation all the time, you can be motivated by the wrong things and I don't think it's as personally satisfying in your own work.
One of the differences between now and then is that the idea of body image is a much bigger issue now. Back then, just being kind of heavy and barrel-chested passed for heroic. Now, you wouldn't dare to play a hero without a lot of dieting and various specialised abdomen machines. But that was one of the things which was interesting about it and I did want to portray because there's good and bad.
One of the things it channelled in me was that experience that I'd had of wearing a big red leather thing on my upper torso in Daredevil with a mask I couldn't see through and an outfit that completely inhibited movement, feeling humiliated and like a fool. I just recalled that.
I thought I could rely on the plot in the novel and fill in the colour between the lines, but I made a mistake with that assumption. It was really, really hard because you pull a few things apart and then you realise how everything relies on everything else and it can all fall apart.
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.