Brock Yates
Brock Yates
Brock Yates is an American journalist and author. He was longtime executive editor of Car and Driver, an American automotive magazine. He was a pit reporter for CBS' coverage of certain NASCAR Sprint Cupseries races in the 1980s, including the Daytona 500. He was also one of the main commentators on the TNN motor sports TV show American Sports Cavalcade with Steve Evans. Paul Page, Gary Gerould and Ralph Sheheen also occasionally appeared on the show. He currently serves as...
NationalityAmerican
ProfessionEditor
CountryUnited States of America
More books, more racing and more foolishness with cars and motorcycles are in the works.
I realize this is blasphemy, but a few weeks ago I tried to watch a NASCAR race being run at Talladega. I lasted about five minutes before terminal boredom overtook me. It appeared to be nothing more than a high-speed freeway commute--a mob of luridly painted, identical lumps of metal loping at 180 mph around the banking, fender to fender, nose to tail. Knowing the scenario would surely devolve into a multicar demolition derby that would thrill the goobers in the grandstands, I turned off the set to later learn that this time it was Jimmie Johnson who triggered the eight-car melee.
If any vestige of the American automobile industry is to survive, it must involve state-of-the-art vehicles that are not equal to but surpass the best imports in every way.
They still talk about the night that Augie Pabst, a fresh-faced heir to the brewing fortune, drove a rented Falcon into the swimming pool of the Mark Thomas Inn in Monterey, California. His reviews were so good that he repeated the act at a Howard Johnson's outside Denver.
The harsh reality is that America moves on four wheels, powered by conventional internal-combustion engines. At this point, while the elite media (excluding Newsweek) trumpet the benefits of hybrids and Ford and Toyota plan to lead the nation into a low-powered, high-mileage hybrid Utopia, the multitudes remain loyal to the gas-guzzling family bus in the driveway.
A written regulation in NASCAR is about as reliable as an Egyptian immigration law.
Regardless, I did rise to the editorship before embarking on a freelance career in the late '60's.
I have four grown children and two tiny grandchildren.
Had I been more responsible I might have made something of myself as a junk bond trader, long-haul trucker or perhaps a plumbing contractor.
Don't get me wrong, I think bikes are terrific. I own several of my own, including a trendy mountain style, and ride them for pleasure and light exercise.
The whole movie thing has never been a source of great pride for me, in that Burt Reynolds, who starred in the picture, butchered the original script I had written for the late Steve McQueen, and the result, while a massive moneymaker, was lashed by the critics. But like the old joke about Pierre the Bridge Builder, The Cannonball Run is indelibly inscribed on my so-called career portfolio, and few conversations with strangers pass without the subject of the picture arising.
The early 1970s was a time when illegal acts were in style. Everybody was going nuts with causes, most of them against the law.
Unlike conventional jocks, who tend to sell aluminum siding and give canned speeches to parochial-school athletic banquets in the off-season, race drivers never shuck their image when they leave the stadium. They are supposed to be zany, nomadic soldiers of fortune who are involved in wild endeavors during every waking moment.