Camille Paglia
Camille Paglia
Camille Anna Pagliais an American academic and social critic. Paglia has been a professor at the University of the Arts in Philadelphia, Pennsylvania, since 1984. The New York Times has described her as "first and foremost an educator". Paglia is known for her critical views of many aspects of modern culture...
NationalityAmerican
ProfessionActivist
Date of Birth2 April 1947
CountryUnited States of America
believe opportunity men
I consider myself 100 percent a feminist, at odds with the feminist establishment in America. For me the great mission of feminism is to seek the full political and legal equality of women with men. However, I disagree with many of my fellow feminists as an equal opportunity feminist, who believes that feminism should only be interested in equal rights before the law. I utterly oppose special protection for women where I think that a lot of the feminist establishment has drifted in the last 20 years.
religious believe gay
I do not believe in God, but I believe God is man’s greatest idea. Those incapable of religious feeling or those (like hard-core gay activists) who profane sacred ground do not have the imagination to educate the young. … Until the left comes to its senses about the cultural power of religion, the right will continue to broaden its appeal
believe thinking views
I believe that everybody has the right to view his or her own body as a palette. However, I think intellectuals should at least try to be role models.
change beauty believe
I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passe abstractions like beauty, nobility, and greatness have a shifting but continuing validity.
believe gay men
I believe that the shocking toll of AIDS on gay men in the West was partly due to their Seventies delusions that a world without women was possible. All-male energies, unbalanced and ravenous, literally tore the body apart.
art honor criticism
The greatest honor that can be paid to the work of art, on its pedestal of ritual display, is to describe it with sensory completeness. We need a science of description. Criticism is ceremonial revivification.
nature war games
There are no accidents, only nature throwing her weight around. Even the bomb merely releases energy that nature has put there. Nuclear war would be just a spark in the grandeur of space. Nor can radiation alter nature: she will absorb it all. After the bomb, nature will pick up the cards we have spilled, shuffle them, and begin her game again.
war love-is force
Heterosexual love,. is in sync with cosmic forces. Not everyone has the stomach for daily war with nature.
dream sex gay
Gay men are guardians of the masculine impulse. To have anonymous sex in a dark alleyway is to pay homage to the dream of male freedom. The unknown stranger is a wandering pagan god. The altar, as in pre-history, is anywhere you kneel.
reality style nuclear
American universities are organized on the principle of the nuclear rather than the extended family. Graduate students are grimly trained to be technicians rather than connoisseurs. The old German style of universal scholarship has gone.
stars power greatness
Elizabeth Taylor is pre-feminist woman. This is the source of her continuing greatness and relevance. She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary clich?. But the femme fatale expresses women's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all men's relations with women.
sexy clever funny-sex
Sex at age 90 is like trying to shoot pool with a rope.
sex order identity
Sex IS power. Identity is power. In western culture, there are no nonexploitative relationships. Everyone has killed in order to live.
mind definitions lines
The western mind makes definitions; it draws lines.