Carl von Clausewitz
![Carl von Clausewitz](/assets/img/authors/carl-von-clausewitz.jpg)
Carl von Clausewitz
Carl Philipp Gottfriedvon Clausewitz was a Prussian general and military theorist who stressed the "moral"and political aspects of war. His most notable work, Vom Kriege, was unfinished at his death. Clausewitz was a realist in many different senses and, while in some respects a romantic, also drew heavily on the rationalist ideas of the European Enlightenment...
NationalityGerman
ProfessionSoldier
Date of Birth1 June 1780
CountryGermany
mean fighting enemy
What do we mean by the defeat of the enemy? Simply the destruction of his forces, whether by death, injury, or any other means-either completely or enough to make him stop fighting. . . . The complete or partial destruction of the enemy must be regarded as the sole object of all engagements. . . . Direct annihilation of the enemy's forces must always be the dominant consideration.
fighting loss numbers
But the main point is that soldiers, after fighting for some time, are apt to be like burned-out cinders. They have shot off their ammunition, their numbers have been diminished, their strength and their morale are drained, and possibly their courage has vanished as well. As an organic whole, quite apart from their loss in numbers, they are far from being what they were before the action; and thus the amount of reserves spent is an accurate measure on the loss of morale.
powerful passion men
Of all the passions that inspire a man in a battle, none, we have to admit, is so powerful and so constant as the longing for honor and reknown.
use produce absolutes
Where absolute superiority is not attainable, you must produce a relative one at the decisive point by making skillful use ofwhat you have.
moral force combat
Every combat is the bloody and destructive measuring of the strength of forces, physical and moral; whoever at the close has the greatest amount of both left is the conqueror.
war fog three
War is the realm of uncertainty; three quarters of the factors on which action is based are wrapped in a fog of greater or lesser uncertainty.
war intellectual execution
Where execution is dominant, as it is in the individual events of a war whether great or small, then intellectual factors are reduced to a minimum.
war mean government
War is only caused through the political intercourse of governments and nations - war is nothing but a continuation of political intercourse with an admixture of other means.
war civilization ideas
The invention of gunpowder and the constant improvement of firearms are enough in themselves to show that the advance of civilization has done nothing practical to alter or deflect the impulse to destroy the enemy, which is central to the very idea of war.
practice genius talent
Talent and genius operate outside the rules, and theory conflicts with practice.
genius littles too-much
A prince or general can best demonstrate his genius by managing a campaign exactly to suit his objectives and his resources, doing neither too much nor too little.
mountain defeated court
A general who allows himself to be decisively defeated in an extended mountain position deserves to be court-martialled.
war twilight fog
The general unreliability of all information presents a special problem in war: all action takes place, so to speak, in the twilight, which, like fog or moonlight, often tends to make things seem grotesque and larger than they really are. Whatever is hidden from full view in this feeble light has to be guessed at by talent, or simply left to chance. So once again for the lack of objective knowledge, one has to trust to talent or to luck.
chance mechanic friction
This tremendous friction which cannot, as in mechanics, be reduced to a few points, is everywhere in contact with chance, and brings about effects that cannot be measured just because they are largely due to chance. ...