Carlos Fuentes
Carlos Fuentes
Carlos Fuentes Macías audio was a Mexican novelist and essayist. Among his works are The Death of Artemio Cruz, Aura, Terra Nostra, The Old Gringoand Christopher Unborn. In his obituary, the New York Times described him as "one of the most admired writers in the Spanish-speaking world" and an important influence on the Latin American Boom, the "explosion of Latin American literature in the 1960s and '70s", while The Guardian called him "Mexico's most celebrated novelist". His many literary honors include...
NationalityMexican
ProfessionNovelist
Date of Birth11 November 1928
CityPanama City, Panama
CountryMexico
It was close to being ready around Christmas break. Then we started looking for the first big invitational to throw it, but we always had to look at the team score. It was hard to fit it in at the right time.
I wrote it to show that not all mother-in-laws are bad.
This kid, in club, competed a triple full. She has room to grow. It's exciting to see. She's just hit the tip of the iceberg. She's highly motivated and she has no fear when she does high-level skills.
Kara's been kind of hovering between varsity and JV all four years. She was disappointed that she fell on beam, but I told her we didn't need her on beam. We needed her on bars.
She was a little tender. She's always had problems with her last pass. We changed her first pass around because she had too much power.
She's just a dynamic performer. She was unsure if she could still do gymnastics like she used to. This year, I think she's started believing that she can.
U.S. foreign policy is Manichaean. It's like a Hollywood movie. You have to know who has the white hat and who has the black hat and then go against the black hat.
What I want is to respond to the challenge posed by the mass media - to permit the novel to say what can only be said by narrative - to allow it to be itself.
Under the veneer of Westernization, the cultures of the Indian world - which have existed for 30,000 years! - continue to live. Sometimes in a magical way, sometimes in the shadows.
What the United States does best is to understand itself. What it does worst is understand others.
Writing requires the concentration of the writer, demands that nothing else be done except that.
You have an absolute freedom in Mexican writing today in which you don't necessarily have to deal with the Mexican identity. You know why? Because we have an identity... We know who we are. We know what it means to be a Mexican.
There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.
The historical problem of the United States is to admit that it is a multiracial and multi-ethnic nation.