Catherine Hardwicke
Catherine Hardwicke
Catherine HardwickeOctober 21, 1955) is an American film director, production designer and screenwriter. Her works include the Academy Award-nominated independent film Thirteen, which she co-wrote with Nikki Reed, the film's co-star, the Biblically-themed The Nativity Story, the vampire film Twilight, the werewolf film Red Riding Hood, and the classic skateboarding film Lords of Dogtown. The opening weekend of Twilight was the biggest opening ever for a female director...
NationalityAmerican
ProfessionDirector
Date of Birth21 October 1955
CityCameron, TX
CountryUnited States of America
As a director, you try to do things that are going to touch the human experience somehow, and emotions that mean something to people. You search for those projects and you hope to realize the potential in a project.
Meryl [Stripe]spoke out about the low percentage of female critics on Rotten Tomatoes. Why are there 760 male critics and just 168 women? You are immediately [biased] on what kind of films you are being told to go see. What are you told are good films? Male films.
Most of the female-directed films, if they got distribution, would have fewer dollars to support the film and play in fewer theaters than the men. Because the female-directed films go to smaller companies. So the gap starts widening.
I directed the first "Twilight" movie. It was in my contract that I could have gone on to do the other films, but I didn't feel as connected to the other books.
Now there are three guys who directed "Twilight" films that had a gross of a gazillion dollars. All those "Hunger Games" guys, the "Divergent" guys. All those people. When they are looking for the next big director, they see they have a track record. So there's 20 people that spun off of "Twilight" that have more qualifications than any woman.
People are more likely to help other people who look exactly like them. They will hang out at the bar and on the golf course with them.
I really wanted our male characters to be a lot stronger. We gave them careers, lives.
I used to be an architect, so I have a series I am working on with USA Network that I created and am co-writing.
I just wrote a really cool script. It's called "One Track Mind." It's an origin story about the most successful and the most foul-mouthed, outrageous songwriter in history.
I think it's true that the more sanitized a person is, you can't really relate to that person.
Some of the best stuff in all my movies has been improv.
As a director, when you cut scenes from a movie, you do it with the idea that it is making the story move forward and progress. Sometimes, you don't realize that something is actually a sidetrack for the story, or it takes the tension out of a scene.
It's interesting for me to do the commentary with the actors because, as a director, you're so in your own world that you see it from your perspective, your issues and what you were trying to do, and then it's really very fun to hear their perspective on how it was to do a particular scene or how they felt, and sometimes, I didn't even know that, at the time.
When I talk to film students, I always say, "Buy the DVDs and listen to the commentaries, look at the making of, look at the behind-the-scenes," because that's such a great learning tool.