Charlie Kaufman

Charlie Kaufman
Charles Stuart "Charlie" Kaufmanis an American screenwriter, producer, director, and lyricist. He wrote the films Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind. He made his directorial debut with Synecdoche, New York, which was also well-received; film critic Roger Ebert named it "the best movie of the decade" in 2009. It was followed by Anomalisa...
NationalityAmerican
ProfessionScreenwriter
Date of Birth19 November 1958
CityNew York City, NY
CountryUnited States of America
Charlie Kaufman quotes about
Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.
I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.
Why do I fall in love with every woman I see that shows me the least bit of attention?
Meet me in Montauk...
I think generally I'm kind of interested in subjective experience, what goes on inside someone's head, that being all they really know of the world.
I hate a movie that will end by telling you that the first thing you should do is learn to love yourself. That is so insulting and condescending, and so meaningless. My characters don't learn to love each other or themselves.
So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives.
Yeah, once we decided to use that replacement animation, and the seams are a function of that animation, and other movies paint those out, we decided we wanted to keep the presence of the animation and the type of animation that it was rather than make it look polished. It created a kind of vulnerability, I think.
The difference between a movie and a play is that the production you end up with is the production. If a movie that I spent time on turns out to be crap, it's never going to be made again.
Every day of your life, you have information that enters your head, and that information informs your understanding of things, or shifts it, or changes it, or deepens it, or confuses you. Every day, every moment of every day - it's like this thing that happens.
I think directing and writing are very different jobs. Obviously, directing is a more social and managerial job. The other thing about directing is that it's a very, very pragmatic job, and writing isn't.
Scary is time passing and sickness and dying and regret and isolation and loneliness and relationship problems - as opposed to a guy in a hockey mask, which didn't seem that scary.
I think dreams are metaphors. Everything you do in writing is metaphorical. So it seems like the same arena to me.
People ask me all the time, "What are your influences? Are you trying to do Beckett?" It's like, "No, I'm trying to do me." Whatever that is. I don't know what that is, but that's the basis. I'm trying to be true and I'm trying to be honest.