Colleen Atwood
Colleen Atwood
Colleen Atwood is an American costume designer...
NationalityAmerican
ProfessionDesigner
CountryUnited States of America
exist future people walking wearing
It's fun conjuring what people will be wearing in the future. We exist in this world today, and yet there are people walking around who still look like they're in the '60s.
design fan holds huge jean paul people three
For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine Alaia holds up through three generations of very specific, beautiful design. I think Jean Paul Gaultier also is very interesting with a long span.
chris men
It actually is as fun to make men's costumes, especially if they are as good-looking as Chris Hemsworth.
american-designer based designs filtered gone movement musical quite strictly
The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired.
becomes change costume design looking people requires since understand worn
I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at.
futuristic jude minimalist
As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong?
american-designer walked
In Chicago, I walked in knowing what the dancers were going to need.
american-designer chicago definitely musical product
The first Chicago was definitely a product of its time, and Chicago the musical is definitely a contemporary look at another time.
american-designer colors heavy influenced materials original
I really like the original Apes costumes. The colors were great, and the use of heavy materials was something that influenced me for this film.
american-designer lambs silence
Sometimes a contemporary film like Silence of the Lambs is difficult. To make it look real but interesting is always a challenge.
american-designer kinds lucky work
I've been lucky in the things I've got to work on. I've been able to keep it fresh, always getting to do different kinds of things.
aware bought career connection costume design grew growing horror loved money remember saved small strange town washington white
I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing.
lingerie architecture
I like the architecture of lingerie.