Connie Willis
Connie Willis
Constance Elaine Trimmer Willis, commonly known as Connie Willis, is an American science fiction and fantasy writer. She has won eleven Hugo Awards and seven Nebula Awards for particular works—more major awards than any other writer—most recently the year's "Best Novel" Hugo and Nebula Awards for Blackout/All Clear. She was inducted by the Science Fiction Hall of Fame in 2009 and the Science Fiction Writers of America named her its 28th SFWA Grand Master in 2011...
NationalityAmerican
ProfessionNovelist
Date of Birth31 December 1945
CountryUnited States of America
The amazing thing is that chaotic systems don't always stay chaotic," Ben said, leaning on the gate. "Sometimes they spontaneously reorganize themselves into an orderly structure." "They suddenly become less chaotic?" I said, wishing that would happen at HiTek. "No, that's the thing. They become more and more chaotic until they reach some sort of chaotic critical mass. When that happens, they spontaneously reorganize themselves at a higher equilibrium level. It's called self-organized criticality.
If King Harold had had swans on his side, England would still be Saxon.
Don't they know science doesn't work like that? You can't just order scientific breakthroughs. They happen when you are looking at something you've been working on for years and suddenly see a connection you never noticed before, or when you're looking for something else altogether. Sometimes they even happen by accident. Don't they know you can't get a scientific breakthrough just because you want one?
Shakespeare put no children in his plays for a reason," Sir Godfrey muttered, glaring at Alf and Binnie. "You're forgetting the Little Prince," Polly reminded him. "Who he had the good sense to kill off in the second act," snapped Sir Godfrey.
A Grand Design we couldn't see because we were part of it. A Grand Design we only got occasional, fleeting glimpses of. A Grand Design involving the entire course of history and all of time and space that, for some unfathomable reason, chose to work out its designs with cats and croquet mallets and penwipers, to say nothing of the dog. And a hideous piece of Victorian artwork. And us.
That's what the movies do. They don't entertain us, they don't send the message: 'We care.' They give us lines to say, they assign us parts: John Wayne, Theda Bara, Shirley Temple, take your pick.
The reason Victorian society was so restricted and repressed was that it was impossible to move without knocking something over.
One of the nastier trends in library management in recent years is the notion that libraries should be 'responsive to their patrons'.
Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?
One has not lived until one has carried a sixty-pound dog down a sweeping flight of stairs at half-past V in the morning.
The entire range of human experience is present in a church choir, including, but not restricted to jealousy, revenge, horror, pride, incompetence (the tenors have never been on the right note in the entire history of church choirs, and the basses have never been on the right page), wrath, lust and existential despair.
Why do only the awful things become fads? I thought. Eye-rolling and Barbie and bread pudding. Why never chocolate cheesecake or thinking for yourself?
I was never going to get any sleep. I was going to have Alice in Wonderland conversation after Alice in Wonderland conversation until I died of exhaustion. Here, in the restful, idyllic Victorian era.