Damien Hirst
Damien Hirst
Damien Steven Hirstis an English artist, entrepreneur, and art collector. He is the most prominent member of the group known as the Young British Artists, who dominated the art scene in the UK during the 1990s. He is internationally renowned, and is reportedly the United Kingdom's richest living artist, with his wealth valued at £215m in the 2010 Sunday Times Rich List. During the 1990s his career was closely linked with the collector Charles Saatchi, but increasing frictions came to...
NationalityBritish
ProfessionPainter
Date of Birth7 June 1965
One thing leads to another with my work.
I've seen things that are 200 years old, in formaldehyde.
'Painting like a child' isn't a negative for me... it's something only great artists can really achieve. The childlike quality of some of Picasso's drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.
You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
Here's one from me: 'You have to be aware that everyone else is thinking far too hard about themselves to be thinking about you, whoever you are.' If you want it, you can have it. Once you know that, you can be free.
I have titles floating around in my head; I have sculptures floating around in my head. It's like a collage.
Immortality is really desirable, I guess. In terms of images, anyway.
I did a butterfly show in Berlin, and we had a guy who's an expert on butterflies; who bred them all and who looks after them all in the space.
I wanted a shark that's big enough to eat you, and in a large enough amount of liquid so that you could imagine you were in there with it.
You have to step over the boundaries sometimes just to find out where theyare.
The spot paintings and spin paintings were trying to find mechanical ways to make paintings.
People always say that my work is sensational or shocking but there are truly shocking things you could do, and my sculptures don't go anywhere near that.
I had a passport where I wrote 'artist' under 'occupation' and I remember thinking, 'That's it, it's proved!'