Dana Gioia
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Dana Gioia
Michael Dana Gioiais an American poet and writer. He spent the first fifteen years of his career writing at night while working for General Foods Corporation. After his 1991 essay "Can Poetry Matter?" in The Atlantic generated international attention, Gioia quit business to pursue writing full-time. He also served as the chairman of the National Endowment for the Artsbetween 2003 and 2009. Gioia has published five books of poetry and three volumes of literary criticism as well as opera libretti,...
ProfessionPoet
Date of Birth24 December 1950
CityHawthorne, CA
Paradoxically, the simpler poetry is, the more difficult it becomes for a critic to discuss intelligently. Trained to explicate, the critic often loses the ability to evaluate literature outside the critical act. A work is good only in proportion to the richness and complexity of interpretations it provokes.
To speak from a particular place and time is not provincialism but part of a writer's identity.
The new year always brings us what we want Simply by bringing us alongto see A calendar with every day uncrossed, A field of snow without a single footprint.
There are some truths about life that can be expressed only as stories, or songs, or images. Art delights, instructs, consoles. It educates our emotions.
The purpose of arts education is not to produce more artists, though that is a byproduct. The real purpose of arts education is to create complete human beings capable of leading successful and productive lives in a free society.
Reading is declining in every age group, cultural group, every region and income level. Unless something is done, we will continue to see those declines.
Teach us the names of what we have destroyed.
What we conceal Is always more than what we dare confide. Think of the letters that we write our dead.
We offer you the landscape of your birth -- Exquisite and despoiled. We all share blame. We cannot ask forgiveness of the earth For killing what we cannot even name.
Poetry is not a creed or dogma. It is a special way of speaking and listening.
Poetry offers a way of understanding and expressing existence that is fundamentally different from conceptual thought.
And hate the bright stillness of the noon without wind, without motion. the only other living thing a hawk, hungry for prey, suspended in the blinding, sunlit blue. And yet how gentle it seems to someone raised in a landscape short of rain- the skyline of a hill broken by no more trees than one can count, the grass, the empty sky, the wish for water.
In an age of global standardization, regional voices also remind both writer and reader that no life is lived generically. If the purpose of literature is truly, as the ancients insisted, to instruct and delight, then what better to understand and enjoy than the here and the now ?
Even if great poetry continues to be written, it has retreated from the center of literary life. Though supported by a loyal coterie, poetry has lost the confidence that it speaks to and for the general culture.