Danny Boyle
Danny Boyle
Daniel "Danny" Francis Boyle is an English film director, producer, screenwriter and theatre director, known for his work on films including Shallow Grave, Trainspotting, The Beach, 28 Days Later, Slumdog Millionaire, Sunshine, 127 Hours, and Steve Jobs. Boyle's 2008 film Slumdog Millionaire was nominated for ten Academy Awards and won eight, including the Academy Award for Best Director. Boyle was presented with the Extraordinary Contribution to Filmmaking Award at the 2008 Austin Film Festival, where he also introduced that year's...
NationalityEnglish
ProfessionDirector
Date of Birth20 October 1956
Movies about space raise those questions of what we're doing here, and that inevitably introduces a spiritual dimension.
You know what actors are like; they moisturize every night. They're frozen in time.
It's easy to like the most popular films, but I have a great fondness for 'A Life Less Ordinary'.
I grew up in a city, I'm a city person - I go on holiday and I'm bored.
The awards season gives a chance for independent films to have a bit of longevity in the press and the media.
I love huge movies. Not sure I am the guy to make them, but you can rely on me being there watching them.
There is a Steve [Jobs] that Apple would like to actually present to the public. They have a character, Steve, and they want to keep that story going. And it's very important that writers challenge that occasionally and not just trust their parent companies to tell them.
My dad was a labourer and my mum had exactly the same job as Noel Gallagher's mum - she was a dinner lady at our local school. Everyone comes over from Ireland and they get the same jobs.
Some of us are interested in directors, but really the vast majority of us are interested in actors. You experience the films through the actors, so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.
It's a nice way to put the focus back on this simple act... if someone creates you.
I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.
My kids are too old to remember this now but, when they were much younger, I swore to them if this miracle ever happened, I would receive it in the spirit of Tigger from Winnie the Pooh, and thats what that was.
Even though one of them is about an Edinburgh junkie and ones a little boy of eight in Manchester, you want them to always portray their world in such a vivid way that the audience can disappear inside the story.
I love watching the Bond movies obviously and I grew up reading the books as a kid. I've always loved them because of that.