Danny Boyle
Danny Boyle
Daniel "Danny" Francis Boyle is an English film director, producer, screenwriter and theatre director, known for his work on films including Shallow Grave, Trainspotting, The Beach, 28 Days Later, Slumdog Millionaire, Sunshine, 127 Hours, and Steve Jobs. Boyle's 2008 film Slumdog Millionaire was nominated for ten Academy Awards and won eight, including the Academy Award for Best Director. Boyle was presented with the Extraordinary Contribution to Filmmaking Award at the 2008 Austin Film Festival, where he also introduced that year's...
NationalityEnglish
ProfessionDirector
Date of Birth20 October 1956
Movies about space raise those questions of what we're doing here, and that inevitably introduces a spiritual dimension.
You know what actors are like; they moisturize every night. They're frozen in time.
It's easy to like the most popular films, but I have a great fondness for 'A Life Less Ordinary'.
You experience the films through the actors, so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.
To be a film-maker, you have to lead. You have to be psychotic in your desire to do something. People always like the easy route. You have to push very hard to get something unusual, something different.
It's a good place when all you have is hope and not expectations.
I grew up in a city, I'm a city person - I go on holiday and I'm bored.
The awards season gives a chance for independent films to have a bit of longevity in the press and the media.
I love huge movies. Not sure I am the guy to make them, but you can rely on me being there watching them.
There is a Steve [Jobs] that Apple would like to actually present to the public. They have a character, Steve, and they want to keep that story going. And it's very important that writers challenge that occasionally and not just trust their parent companies to tell them.
I mean suspense, twists are almost impossible these days.
Theres a certain truth that you do end up making the same film again and again so if you vary the genre you have a chance of breaking that cycle.
Come a crisis, we want other people.
I want people to leave the cinema feeling that something's been confirmed for them about life.