David Krumholtz
David Krumholtz
David Krumholtzis an American actor. He played Charlie Eppes in the CBS drama series Numbers. He played Seth Goldstein in Harold & Kumar Go to White Castle and its two sequels, Harold & Kumar Escape from Guantanamo Bay and A Very Harold & Kumar 3D Christmas. He is also known for his role as Bernard the Arch-Elf in The Santa Clause and its sequel, The Santa Clause 2. Additionally, he is known for his role as Mr. Universe in the...
NationalityAmerican
ProfessionTV Actor
Date of Birth15 May 1978
CityQueens, NY
CountryUnited States of America
Ultimately, I think the movie's about working as a means of finding meaning in your life. It's about the lesson, the great lesson, of just working, working and being productive.
[Numbers] made me feel like a real person instead of a guy who shows up for two days on a movie, does some funny stuff, and then doesn't see anybody until the premiere.
I think ever since Numbers ended, I've been trying to find a way to get back in a situation like that. It was lovely to drive in traffic with other people going to their jobs every day.
First of all, it was wonderful to have a home. Consistent work when you're a journeyman actor, when you're a character actor, is really hard to come by. When you can get it, you have to cherish every moment of it - cherish the crew, cherish the cast, cherish the stage, cherish everything. Because when it's over, it's really hard to get back.
I wish that I had gotten a chance to do another season of [ Gigi Does It], to see if I could explore the story more, or the character more, and also find an easier way to make the show. We never got that opportunity. But I'll always be super, super proud of it.
The Josh Brolin character in that movie [Hail, Caesar!], he's given a choice to leave, to do something where he wouldn't have to work as hard. And he'd rather work and deal with the madness of what he's doing because it thrills him, because it gives him meaning.
Someone is spending their life and their passion and their ingenuity on something that's seemingly potentially trite. But it's what they're doing, and it's what's important to them and what's beautiful to them.
There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.
[Gigi Does It show] flew so drastically under the radar. I kind of hold it in my back pocket as this thing that I got the opportunity to do that no one really knows I did and that I'm really proud of.
I'm sure in less than 10 years there will be several streaming services or whatever you want to call them that are dedicated to retro television, like rare retro television, and maybe we'll end up doing something with that. Maybe Gigi will find popularity there, because it was fun, it was kitschy and very stupid and very dirty. But it had heart. I hope people will watch it one day.
That experience [in Hail, Caesar! ] ruined me for all future experiences, because the Coen brothers are the best. They're arguably the greatest of all time, if there is such a thing.
Everyone that works under the Coen brothers , in every department - makeup, hair, production design, wardrobe, so on and so forth, grip, lighting, tech, everything - they're the best. So to be on a set when you're working with the very best in the industry was a real privilege.
Still, at the end of the day, I was really proud of [ Gigi Does It]. I wish more people had seen it. I wish it was more available, so people would see it now.
I would do prosthetics again, but not on a schedule like that [in Gigi Does It]. It was grueling and brutal and it almost killed me. That show almost killed me.