David Rakoff

David Rakoff
David Benjamin Rakoffwas a Canadian-born American writer based in New York City, who was noted for his humorous and sometimes autobiographical non-fiction essays. Rakoff was an essayist, journalist, and actor, and a regular contributor to WBEZ's This American Life. Rakoff described himself as a "New York writer" who also happened to be a "Canadian writer", a "mega Jewish writer", a "gay writer", and an "East Asian Studies major who has forgotten most of his Japanese" writer...
NationalityCanadian
ProfessionWriter
Date of Birth27 November 1964
CountryCanada
Here's the thing: I'm not beautiful. I mean, I'm a perfectly normal-looking Jewish guy. My face has never been my fortune, nor has my body... physical beauty has never been part of my equation. It's just not on my shopping list.
I have let half-decades elapse between books because books have to be writte and writing is awful, but if you are the type of person who makes things, there is no profit in worrying about how or why or when the next project will come into being beyond simply acknowledging that it is inevitable that it will be very soon.
I am the world's worst reporter. I am apt to try too hard to help rather than just document my subjects.
If you don't have your experiences in the moment, if you gloss them over with jokes or zoom past them, you end up with curiously dispassionate memories.
I had a beautiful childhood and a lovely childhood. I just didn't like being a child. I didn't like the rank injustice of not being listened to. I didn't like the lack of autonomy.
I aspire to write what are called 'familiar essays.' They begin in the personal and end in the universal. It's not for me to say if I have been successful at it. But that is the hope.
A secondhand wardrobe hand clothes doesn't make one an artist. Neither do a hair-trigger temper, melancholic nature, propensity for tears, hating your parents, or HIV. I hate to say it - none of these make one an artist. They can help, but just as being gay doesn't make one witty... the only thing that makes one an artist is making art.
Not far from my apartment, within a stretch of no more than 500 feet, there are two doggie gyms where Gotham's canines who aren't getting enough exercise running through the city's parks, or are neglecting their all-important doggie glutes and abs, can go for a workout. What can I say? This appalls me.
'Play It Again Sam's opening shot is the same as 'Purple Rose's final one: a close-up of a face, rapt in a movie house. I've certainly felt that in my life. I've been known to cry watching Gene Kelly.
It's the false moral component behind blind animal love that so frosts me. The faulty logic that believes that the capacity to adore a nonhuman creature is somehow a purer form of love.
Fantastic days are what you wish upon those who have so few sunrises left, those whose lungs are so lesion-spangled with new cancer that they should be embracing as much life as they can. Time's a-wasting, go out and have yourself a fantastic day! Fantastic days are for goners.
My salvation lies in time spent alone with an X-Acto knife and commercial-grade adhesive.
Let's face it: professing a deep interest in movies, the absolutely dominant global art form of the last century, is at this point like professing an interest in air. Passion is nice. Erudition is admirable. But it's like that moment when good manners cross over into meaningless etiquette.
Deprived of the opportunity to judge one another by the cars we drive, New Yorkers, thrown together daily on mass transit, form silent opinions based on our choices of subway reading. Just by glimpsing the cover staring back at us, we can reach the pinnacle of carnal desire or the depths of hatred. Soul mate or mortal enemy.