David Sedaris
![David Sedaris](/assets/img/authors/david-sedaris.jpg)
David Sedaris
David Raymond Sedarisis an American humorist, comedian, author, and radio contributor. He was publicly recognized in 1992 when National Public Radio broadcast his essay "SantaLand Diaries". He published his first collection of essays and short stories, Barrel Fever, in 1994. His next five essay collections, Naked, Holidays on Ice, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, and When You Are Engulfed in Flames, became New York Times Best Sellers. In 2010, he released a collection...
NationalityAmerican
ProfessionWriter
Date of Birth26 December 1956
CountryUnited States of America
In the Netherlands now, I imagine it's legal to marry your own children. Get them pregnant, and you can abort your unborn grandbabies in a free clinic that used to be a church.
Listen, you might want to pack a few of your things together before going to bed. The former bishop of Turkey will be coming tonight along with six to eight black men. They might put some candy in your shoes, they might stuff you into a sack and take you to Spain, or they might just pretend to kick you. We don't know for sure, but we want you to be prepared." This was the reward for living in the Netherlands. As a child you get to hear this story, and as an adult you get to turn around and repeat it.
Even as a child I was fascinated by death, not in a spiritual sense, but in an aesthetic one. A hamster or guinea pig would pass away, and, after burying the body, I'd dig it back up: over and over, until all that remained was a shoddy pelt. It earned me a certain reputation, especially when I moved on to other people's pets. "Igor," they called me. "Wicked, spooky." But I think my interest was actually fairly common, at least among adolescent boys. At that age, death is something that happens only to animals and grandparents, and studying it is like a science project.
As a child I assumed that when I reached adulthood, I would have grown-up thoughts.
This was the consequence of seeing too much and understanding the horrible truth: No one is safe. The world is not manageable.
Neighbors would pass, and when they honked I'd remember that I was in my Speedo. Then I'd wrap my towel like a skirt around my waist and remind my sisters that this was not girlish but Egyptian, thank you very much.
I hoped our lives would continue this way forever, but inevitably the past came knocking. Not the good kind that was collectible but the bad kind that had arthritis.
In Paris you're always surrounded by French people.
Kools and Newports were for black people and lower-class whites. Camels were for procrastinators, those who wrote bad poetry, and those who put off writing bad poetry. Merits were for sex addicts, Salems were for alcoholics, and Mores were for people who considered themselves to be outrageous but really weren't.
Hugh returned from his trip, and days later I still sounded like a Red Chinese asking questions about the democratic hinterlands. "And you actually saw people smoking in restaurants? Really! And offices, too? Oh, tell me again about the ashtrays in the hospital waiting room, and don't leave anything out."
Lovers of audio books learn to live with compromise.
I always used to reach for the cigarette when the phone rang, and I figured nobody would ever call me in Tokyo. The time difference is so profound it's, like, already September in Tokyo, and I figured nobody would be able to work it out.
I go to the movies at least five times a week, and after a while everything becomes a blur to me.
I felt uncomfortable calling myself a writer until I started with 'The New Yorker,' and then I was like, 'Okay, now you can call yourself that.