David Sedaris
David Sedaris
David Raymond Sedarisis an American humorist, comedian, author, and radio contributor. He was publicly recognized in 1992 when National Public Radio broadcast his essay "SantaLand Diaries". He published his first collection of essays and short stories, Barrel Fever, in 1994. His next five essay collections, Naked, Holidays on Ice, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, and When You Are Engulfed in Flames, became New York Times Best Sellers. In 2010, he released a collection...
NationalityAmerican
ProfessionWriter
Date of Birth26 December 1956
CountryUnited States of America
Writing helped to have jobs that involved running around, pushing things like dish carts and wheelbarrows. It would be hard to sit at a desk all day, and then come to sit at another desk. Also, it helps to abandon hope. If I sit at my computer, determined to write a New Yorker story I won't get beyond the first sentence. It's better to put no pressure on it. What would happen if I followed the previous sentence with this one, I'll think. If the eighth draft is torture, the first should be fun. At least if you're writing humor.
Every gathering has its moment. As an adult, I distract myself by trying to identify it, dreading the inevitable downswing that is sure to follow. The guests will repeat themselves one too many times, or you'll run out of dope or liquor and realize that it was all you ever had in common.
Traveling across the United States, it's easy to see why Americans are often thought of as stupid. At the San Diego Zoo, right near the primate habitats, there's a display featuring half a dozen life-size gorillas made out of bronze. Posted nearby is a sign reading CAUTION: GORILLA STATUES MAY BE HOT. Everywhere you turn, the obvious is being stated. CANNON MAY BE LOUD. MOVING SIDEWALK IS ABOUT TO END. To people who don't run around suing one another, such signs suggest a crippling lack of intelligence.
This was the consequence of seeing too much and understanding the horrible truth: No one is safe. The world is not manageable.
Neighbors would pass, and when they honked I'd remember that I was in my Speedo. Then I'd wrap my towel like a skirt around my waist and remind my sisters that this was not girlish but Egyptian, thank you very much.
I hoped our lives would continue this way forever, but inevitably the past came knocking. Not the good kind that was collectible but the bad kind that had arthritis.
In Paris you're always surrounded by French people.
Kools and Newports were for black people and lower-class whites. Camels were for procrastinators, those who wrote bad poetry, and those who put off writing bad poetry. Merits were for sex addicts, Salems were for alcoholics, and Mores were for people who considered themselves to be outrageous but really weren't.
Hugh returned from his trip, and days later I still sounded like a Red Chinese asking questions about the democratic hinterlands. "And you actually saw people smoking in restaurants? Really! And offices, too? Oh, tell me again about the ashtrays in the hospital waiting room, and don't leave anything out."
Lovers of audio books learn to live with compromise.
I always used to reach for the cigarette when the phone rang, and I figured nobody would ever call me in Tokyo. The time difference is so profound it's, like, already September in Tokyo, and I figured nobody would be able to work it out.
I go to the movies at least five times a week, and after a while everything becomes a blur to me.
I felt uncomfortable calling myself a writer until I started with 'The New Yorker,' and then I was like, 'Okay, now you can call yourself that.