David Simon
David Simon
David Judah Simonis an American author, journalist, and a writer/producer of television series. He worked for the Baltimore Sun City Desk for twelve yearsand wrote Homicide: A Year on the Killing Streetsand co-wrote The Corner: A Year in the Life of an Inner-City Neighborhoodwith Ed Burns. The former book was the basis for the NBC series Homicide: Life on the Street, on which Simon served as a writer and producer. Simon adapted the latter book into the HBO mini-series The...
NationalityAmerican
ProfessionScreenwriter
Date of Birth9 February 1960
CountryUnited States of America
The show is structured like a visual novel of sorts, ... And these writers understand the complexity of theme.
We are pleased to announce this alliance with Coach. Coach is a great brand and their commitment to open or expand 30 stores in our portfolio is entirely consistent with our objective of developing and managing retail properties that matter.
The beauty of love is that in giving it away, you are left with more than you had before.
I don't consider myself to be a crusader of any sort. I was bystander to a certain number of newspaper crusades. They end badly, in terms of being either fraudulent or by inspiring legislations that makes things worse. So, I regard myself as someone coming to the campfire with the truest possible narrative he can acquire.
A TV show can't hold people and institutions to account like good journalism can.
Eventually, someone is going to pick up a brick.
Life is too short to carry the burden of a heavy heart. It does not serve you or anyone else. Free yourself through the power of forgiveness and compassion.
There came this point where I sat down with all my notebooks and I had to start to write, when I thought: this whole notion of writing for the person who understands nothing, the average reader... He has to die! I can't have him in my head. And so the person I started writing for was the homicide detective.
The why is what makes journalism an adult game. The why is what makes policy coherent and useful. The why is what transforms bureaucrats and foot soldiers and political leaders into viable instruments of rational and affirmative change. The why is everything and without it, the very suggestion of human progress becomes a cosmic joke.
The trick to making a story matter is that every now and then, somebody you care about has to go. If it's somebody that you don't care about, then it doesn't really have - the stakes aren't there. But if you do that every now and then, then the story matters to people. And there are actual stakes involved, emotional stakes.
Boiled down to its core, the truth is always a simple, solid thing
There are a couple of ideas for features that I would love to do. They happen to be comedies.
It is your birthright to live a life abundant in love. Make the commitment today to open your heart and let your love flow.