Deb Caletti
Deb Caletti
Deb Calettiis an American writer of young adult and adult fiction. Caletti is a National Book Award finalist, as well as the recipient of other numerous awards including PEN USA finalist award, the Washington State Book Award, and SLJ Best Book award. Caletti's books feature the Pacific Northwest, and her young adult work is popular for tackling difficult issues typically reserved for adult fiction. Her first adult fiction novel, He's Gone, was published by Random House in 2013 and was...
NationalityAmerican
ProfessionWriter
Date of Birth16 June 1963
CountryUnited States of America
My father said that love at first sight should send you running, if you know what's good for you. It's your dark pieces having instant recognition with their dark pieces, he says. You're an idiot if you think it means you've met your soul mate. So I was an idiot.
Let me tell you, you either have chemistry or you don't, and you better have it, or it's like kissing some relative. But chemistry, listen to me, you got to be careful. Chemistry is like those perfume ads, the ones that look so interesting and mysterious but you dont even know at first what they're even selling. Or those menues without the prices. Mystery and intrigue are gonna cost you. Great looking might mean something ve-ry expensive, and I don't mean money. What I'm saying is, chemistry is a place to start, not an end point.
Just because it turned out bad, doesn’t mean it wasn’t meant.
It's strange, isn't it, how the idea of belonging to someone can sound so great? It can be comforting, the way it makes things decided. We like the thought of being held, until it's too tight. We like that certainty, until it means there's no way out. And we like being his, until we realize we're not ours anymore.
They never told you that stranger might be someone you knew.
I grow green beans in my garden. The one thing I know about harvesting them is that you need to train your eyes to see the beans. At first it all looks like leaves, until you see one bean and then another and another. If you want clarity, too, you have to look hard. You have to look under things and look from different angles. You'll see what you need to when you do that. A hundred beans, suddenly.
Sometimes you've got to make a mess before you clean it up.
The world was large, so large. Bigger than it had been before. Family, too, a bigger word. That felt like a good thing. An essential thing. There was power in numbers.
...we are all a volume on the shelf of the... library, a story unto ourselves, never possibly described with one word or even very accurately with thousands.
Hundreds,' Joe says. 'Hundreds and hundreds. But then again, I'm old.' So old, Jesus was in your math class,' I say. I crack myself up.
Love was also an easy word, used carelessly. Felons and creeps could offer it coated in sugar, and users could dangle it so enticingly that you wouldn't notice that it had things attached - heavy things, things like pity and need, that were weighty as anchors and iron beams and just as impossible to get out from underneath.
So I forcibly shove aside my prickles of pissed-off, which is easier than it sounds when millions of little sequined caffeine dancers are doing their big Broadway number on your internal stage. (Page 173)
Maybe it was wrong, or maybe impossible, but I wanted the truth to be one thing. One solid thing.