Deb Caletti
Deb Caletti
Deb Calettiis an American writer of young adult and adult fiction. Caletti is a National Book Award finalist, as well as the recipient of other numerous awards including PEN USA finalist award, the Washington State Book Award, and SLJ Best Book award. Caletti's books feature the Pacific Northwest, and her young adult work is popular for tackling difficult issues typically reserved for adult fiction. Her first adult fiction novel, He's Gone, was published by Random House in 2013 and was...
NationalityAmerican
ProfessionWriter
Date of Birth16 June 1963
CountryUnited States of America
Maybe we ought to look at a guy's response to our microwave from now on." Aunt Annie said. Really." Mom said. "The narcissist looks at his reflection in it. The OCD guy thinks you don't keep it clean enough.The antisocial--" Puts his fist through it because it reminds him of his father." Annie said. She'd read all of mom's books, too. And the paranoid one would be jealous of the amount of time you spend cooking." Mom said Were you using that microwave again? Is something going on between the two of you? I caught you looking right at its clock." Annie said.
This is just one of those annoying and unjust differences between you and your younger sibling...I was probably fifteen before I could go to a friend's house without giving mom an FBI dossier on the people; Bex can practically hitchhike on the freeway with a mere "Have fun, honey.
I'll tell you one thing about me, and that is that I'm not to keen on being bossed around. If, say, my Mom tells me to empty the dishwasher, I like to wait a little bit, you know, not hop up and do it right away, because then it feels more like my own idea. That's a little problematic when you have an actual boss.
You have ordinary moments and ordinary moments and more ordinary moments, and then, suddenly, there is something monumental right there. You have past and future colliding in the present, your own personal Big Bang, and nothing will ever be the same.
When your arms are out wide, you'll capture love and joy and golden moments but other things, too. Mistrust will sneak in on a wave of that joy, and complications will ride the backs of the golden moments, and there will be both love and the risks of love. That's the way it is. That's the design.
They never told you that stranger might be someone you knew.
I grow green beans in my garden. The one thing I know about harvesting them is that you need to train your eyes to see the beans. At first it all looks like leaves, until you see one bean and then another and another. If you want clarity, too, you have to look hard. You have to look under things and look from different angles. You'll see what you need to when you do that. A hundred beans, suddenly.
Sometimes you've got to make a mess before you clean it up.
The world was large, so large. Bigger than it had been before. Family, too, a bigger word. That felt like a good thing. An essential thing. There was power in numbers.
...we are all a volume on the shelf of the... library, a story unto ourselves, never possibly described with one word or even very accurately with thousands.
Hundreds,' Joe says. 'Hundreds and hundreds. But then again, I'm old.' So old, Jesus was in your math class,' I say. I crack myself up.
Love was also an easy word, used carelessly. Felons and creeps could offer it coated in sugar, and users could dangle it so enticingly that you wouldn't notice that it had things attached - heavy things, things like pity and need, that were weighty as anchors and iron beams and just as impossible to get out from underneath.
So I forcibly shove aside my prickles of pissed-off, which is easier than it sounds when millions of little sequined caffeine dancers are doing their big Broadway number on your internal stage. (Page 173)