Donald Judd
Donald Judd
Donald Clarence Juddwas an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. It created an outpouring of seemingly effervescent works that defied the term "minimalism". Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writings as "Specific Objects"...
NationalityAmerican
ProfessionSculptor
Date of Birth3 June 1928
CityExcelsior Springs, MO
CountryUnited States of America
Actual space is intrinsically more powerful and specific than paint on a flat surface,
Design has to work. Art does not.
It isn't necessary for a work to have a lot of things to look at, to compare, to analyze one by one, to contemplate. The thing as a whole, its quality whole, is what is interesting. The main things are alone and are more intense, clear and powerful.
Any combining, mixing, adding, diluting, exploiting, vulgarizing, or popularizing of abstract art deprives art of its essence and depraves the artist's artistic consciousness. Art is free, but it is not a free-for-all.
Art and architecture -- all the arts -- do not have to exist in isolation,
You’re getting rid of the things that people used to think were essential to art. But that reduction is only incidental. I object to the whole reduction idea…if my work is reductionist it’s because it doesn’t have the elements that people thought should be there. But it has other elements I like.
It takes a great deal of time and thought to install work carefully. This should not always be thrown away. Most art is fragile and some should be placed and never moved again. Somewhere a portion of contemporary art has to exist as an example of what the art and its context were meant to be. Somewhere, just as the platinum iridium meter guarantees the tape measure, a strict measure must exist for the art of this time and place.
I pay a lot of attention to how things are done and the whole activity of building something is interesting.
Color, to continue had to occur in space.
In terms of existing, everything is equal.
Well, there's a morality in that you want your work to be good, I suppose.
I think most of the art now is involved with a denial of any kind of absolute morality, or general morality.
The attitude and capacity of the factory, the old metal table and the new ideas of the wooden furniture quickly and naturally suggested the possibility of metal furniture.
And that Newman wasn't, and yet to me Pollock is just as radical and unlike Expressionism as Newman.