Edith Wharton
Edith Wharton
Edith Whartonwas a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt...
NationalityAmerican
ProfessionNovelist
Date of Birth24 January 1862
CityNew York City, NY
CountryUnited States of America
I think sometimes that it is almost a pity to enjoy Italy as much as I do, because the acuteness of my sensations makes them rather exhausting; but when I see the stupid Italians I have met here, completely insensitive to their surroundings, and ignorant of the treasures of art and history among which they have grown up, I begin to think it is better to be an American, and bring to it all a mind and eye unblunted by custom.
Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before.
An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
Why do we call all our generous ideas illusions, and the mean ones truths?
It was amusement enough to be with a group of fearless and talkative girls, who said new things in a new language, who were ignorant of tradition and unimpressed by distinctions of rank; but it was soon clear that their young hostesses must be treated with the same respect, if not with the same ceremony as English girls of good family.
Some things are best mended by a break.
The desire for symmetry, for balance, for rhythm in form as well as in sound, is one of the most inveterate of human instincts.
The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness--too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth.
In every heart there should be one grief that is like a well in the desert.
...every literature, in its main lines, reflects the chief characteristics of the people for whom, and about whom, it is written.
My last page is always latent in my first; but the intervening windings of the way become clear only as I write.
She was not accustomed to taste the joys of solitude except in company.
It is almost as stupid to let your clothes betray that you know you are ugly as to have them proclaim that you think you are beautiful.
It is the omnipresent rush of water which give the Este Gardens their peculiar character. From the Anio, drawn up the hillside at incalculable cost and labour, a thousand rills gush downward, terrace by terrace, channeling the stone rails of the balusters, leaping from step to step, dripping into mossy conches, flashing in spray from the horns of sea-gods and the jaws of mythical monsters, or forcing themselves in irrepressible overflow down the ivy-matted banks.