Edwidge Danticat
Edwidge Danticat
Edwidge Danticatis a Haitian–American novelist and short story writer...
ProfessionNovelist
Date of Birth19 January 1969
writing dark hair
No, women like you don't write. They carve onion sculptures and potato statues. They sit in dark corners and braid their hair in new shapes and twists in order to control the stiffness, the unruliness, the rebelliousness.
writing hair unity
When you write ,it's like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring then unity.
florida groups citizenship
I see the sharp inequality between how Haitian and Cuban refugees are treated in Florida. Both groups come here because their lives are equally desperate. But on arrival, the Haitians are incarcerated, and some are immediately repatriated, whereas Cubans get to stay and are eligible for citizenship.
beautiful memories past
We try to keep the beautiful memories, but other things from the past creep up on us.
powerful talking earthquakes
Language is such a powerful thing. After the earthquake, I went to Haiti and people were talking about how [they] described this feeling of going through an earthquake. People really didn't have the vocabulary - before we had hurricanes. I'd talk with people and they'd say, "We have to name it; it has to have a name."
book writing thinking
I very much love a physical book myself. I think people who have had this experience of also seeing a book come together, from sitting down and writing the first word, to holding the binding in your hand, we have a deeper sentimental attachment to it than others might.
thinking drawing fiction
We've had fiction from the time of cave drawings. I think fiction, storytelling, and narrative in general will always exist in some form.
airplane issues people
I'm not saying Cubans don't deserve asylum, but if it is a national security issue, there are people who are coming from Cuba on hijacked airplanes. Why isn't that a national security issue?
children thinking shields
I think we all wear some kind of mask. There are masks that shield us from others, but there are masks that embolden us, and you see that in carnival. The shiest child puts on a mask and can do anything and be anybody.
beautiful lying creativity
Sometimes we mask ourselves to further reveal ourselves, and it's always been connected to me with being a writer: We tell lies to tell a greater truth. The story is a mask; the characters you create are masks. That appeals to me. Aside from that, too, in the carnival the masks were beautiful, and offered a vision of Haitian creativity.
thinking people joy
People often think of Haiti as a place where you're not supposed to have any joy. I wanted to show that this is a place with joy.
liars writing thinking
Even when I think of writing fiction, it's being kind of a liar, a storyteller, a weaver, and there's that sense of how much of this is your life. The story is a way you unravel your life from behind a mask.
lying haiti doe
Life's hard in Haiti right now. And the hardest thing is that the future does not lie with one person.
grandmother aunt people
My models were oral, were storytellers. Like my grandmothers and my aunts. It's true, a lot of people in my life were not literate in a formal sense, but they were storytellers. So I had this experience of just watching somebody spin a tale off the top of her head. I loved that.