Emilio Estevez
Emilio Estevez
Emilio Estevezis an American actor, director, and writer. He started his career as an actor and is well known for being a member of the acting Brat Pack of the 1980s, starring in The Breakfast Club, St. Elmo's Fire, and also acting in the 1983 hit movie The Outsiders. He is also known for Repo Man, The Mighty Ducks and its sequels, Stakeout, Maximum Overdrive, Bobby, and his performances in Western films such as Young Guns and its sequel...
NationalityAmerican
ProfessionMovie Actor
Date of Birth12 May 1962
CityStaten Island, NY
CountryUnited States of America
I'm not a Luddite, but I'm outside more than I'm on my computer. We have a micro-farm - it's a step up from a garden. We have a pretty extensive vineyard. We grow about 60 percent of our own food, make our own wine, have chickens for eggs.
You don’t choose a life, dad. You live one.
Literally, if someone says I am grounded, everyday I am at home, I actually have my hands in the ground and dirt under my fingernails. I don't have a staff to do it all for me. I still plant a seed and I'm amazed it grows.
I saw a headshot with the name 'Emilio Sheen' printed under it and it looked terrible.
All the crap that we've encumbered our lives with, it's really meaningless.
We've lost touch and allowed technology to take precedence over organic nature. But let's not forget that those microchips in our computers came from elements of the earth.
The low-hanging fruit is cynicism and pessimism, and it's there if you want it. You can reach out and you can grab it, you don't even have to make any effort.
There is a part of me that still wants to go out and grab a backpack and unplug - not take a cellphone or even a camera and just get out there and experience the world and travel. I have yet to do that, but someday I hope.
A biopic would have required hiring an actor, and I always wanted to just let Bobby be Bobby. My thought was it would make it a more universal story to focus on ordinary people rather than this extraordinary man.
Where people are now in terms of the economic crisis, they're looking at what we think is the bottom, and I think that's when people look to film and to spirituality.