Ernst Haas
Ernst Haas
Ernst Haaswas a photojournalist and a pioneering color photographer. During his 40-year career, the Austrian-born artist bridged the gap between photojournalism and the use of photography as a medium for expression and creativity. In addition to his prolific coverage of events around the globe after World War II, Haas was an early innovator in color photography. His images were widely disseminated by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color...
NationalityAustrian
ProfessionPhotographer
Date of Birth2 March 1921
CountryAustria
Ernst Haas quotes about
There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.
With photography a new language has been created. Now for the first time it is possible to express reality by reality. We can look at an impression as long as we wish, we can delve into it and, so to speak, renew past experiences at will.
Photography is a bridge between science and art. It brings to science what it needs most, the artistic sense, and to art the proof that nothing can be imagined which cannot be matched in the counterpoints of nature.
There are almost too many possibilities. Photography is in direct proportion with our time: multiple, faster, instant. Because it is so easy, it will be more difficult.
All I wanted was to connect my moods with those of Paris. Beauty pains and when it pained most, I shot.
Beware of color theories. Theories in color photography are dangerous. The plain fact that there are so many of them proves my point.
Leica, schmeica. The camera doesn't make a bit of difference. All of them can record what you are seeing. But you have to see.
There is no formula. There are only confirmations to formulas which one has already discovered oneself.
Is photography art?... The pure definition of the word 'art' alone is too vague today to break one's brain and soul about it. Let us take a little vacation from this word.
in the smallest cells are reflections of the largest. And in photography, through an interplay of scales, a whole universe within a universe can be revealed.
Living in a time of the increasing struggle of the mechanization of man, photography has become another example of this paradoxical problem of how to humanize, how to overcome a machine on which we are thoroughly dependent... the camera...
There are two kinds of photographers: those who compose pictures and those who take them. The former work in studios. For the latter, the studio is the world... For them, the ordinary doesn't exist: every thing in life is a source of nourishment.
My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right.