Ezra Pound
Ezra Pound
Ezra Weston Loomis Poundwas an expatriate American poet and critic, and a major figure in the early modernist movement. His contribution to poetry began with his development of Imagism, a movement derived from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language. His best-known works include Ripostes, Hugh Selwyn Mauberleyand the unfinished 120-section epic, The Cantos...
NationalityAmerican
ProfessionPoet
Date of Birth30 October 1885
CityHailey, ID
CountryUnited States of America
Ezra Pound quotes about
You let me throw the bricks through the front window. You go in at the back and take the swag.
I have never known anyone worth a damn who wasn't irascible.
Come, let us pity those who are better off than we are. Come, my friend, and remember that the rich have butlers and no friends, And we have friends and no butlers. (excerpt from 'The Garrett')
The worst mistake I made was that stupid, suburban prejudice of anti-Semitism.
It ought to be illegal for an artist to marry. If the artist must marry let him find someone more interested in art, or his art, or the artist part of him, than in him. After which let them take tea together three times a week.
I would hold the rosy, slender fingers of the dawn for you.
Fit for kings, formal gardens afford an earthly Elysium and the odd impression that we mere men might actually control nature for a time.
The concept of genius as akin to madness has been carefully cultivated by the inferiority complex of the public.
Be not cheap or mediocre in desiring.
Literature does not exist in a vacuum. Writers as such have a definite social function exactly proportional to their ability as writers. This is their main use.
The sum of human wisdom is not contained in any one language, and no single language is capable of expressing all forms and degrees of human comprehension.
Until you know who has lent what to whom, you know nothing whatever of politics, you know nothing whatever of history, you know nothing of international wrangles.
We do NOT know the past in chronological sequence. It may be convenient to lay it out anesthetized on the table with dates pasted on here and there, but what we know we know by ripples and spirals eddying out from us and from our own time.