Federico Fellini

Federico Fellini
Federico Felliniwas an Italian film director and screenwriter. Known for his distinct style that blends fantasy and baroque images with earthiness, he is recognized as one of the most influential filmmakers of all time. Some of his films are placed in polls such as in Cahiers du cinéma and Sight & Sound as some of the greatest films of all time, with his 1963 film 8½ being listed as the 10th greatest film of all time by Sight & Sound...
NationalityItalian
ProfessionDirector
Date of Birth20 January 1920
CityRimini, Italy
CountryItaly
Everyone knows that time is Death, that Death hides in clocks. Imposing another time powered by the Clock of the Imagination, however, can refuse his law. Here, freed of the Grim Reaper's scythe, we learn that pain is knowledge and all knowledge pain.
There is no such thing as a good paparazzo. A good paparazzo, that's a paparazzo who has had his camera broken. In fact, they are bandits, thieves of photography. (Statement after photographs were published showing Jackie Onassis sunbathing nude.)
Marriage, if it is to survive, must be treated as the beginning, not as the happy ending.
Every time I start a picture ... I feel the same fear, the same self-doubts . . . and I have only one source on which I can draw, because it comes from within me.
You see me in my most virile moment when you see me doing what I do. When I am directing, a special energy comes upon me. ... It is only when I am doing my work that I feel truly alive. It is like having sex.
We can all pretend to be cynical and scheming, but when we’re faced with purity and innocence, the cynical mask drops off.
Peellaert's comic strips were the literature of intelligence, imagination and romanticism.
The public has lost the habit of movie-going because the cinema no longer possesses the charm, the hypnotic charisma, the authority it once commanded. The image it once held for us all — that of a dream we dreamt with our eyes open — has disappeared. Is it still possible that one thousand people might group together in the dark and experience the dream that a single individual has directed?
A good opening and a good ending make for a good film provided they come close together.
Censorship is advertising paid by the government.
I even see the cinema itself as a woman, with its alternation of light and darkness, of appearing and disappearing images
Hype is the awkward and desperate attempt to convince journalists that what you've made is worth the misery of having to review it.