Gayle Lynds
Gayle Lynds
Gayle Lynds is an American author. She is known for being a bestselling novelist in the male-dominated genre of spy fiction or spy thrillers. Award-winning author, her books are published in some twenty countries. Born in Nebraska, Lynds was raised in Iowa, graduated from the University of Iowa with a degree in journalism, and now lives in Maine where she is a full-time novelist...
NationalityAmerican
ProfessionAuthor
CountryUnited States of America
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'Mosaic' is about what we see and what we don't see. I learned how people can develop other senses to compensate for a missing one when I was a child. My best friend, Carol, who is profoundly deaf, saved me from an approaching car that she 'heard' when I didn't.
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Pulp paperbacks have always provided a training ground for men, Some of them went on to become respected authors - Dean Koontz, Nelson DeMille and Martin Cruz Smith, for example. Why couldn't a woman?
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I've always looked upon research as an opportunity to satisfy my curiosity. But the other side of the coin is one must not be so caught up in it that one never gets the book written.
You don't have to resolve every problem of the book at the end, but you do have to resolve some.
I've always loved spy stories. Who can resist?
love
Do you love this story? If you love it, then you've got to write it.
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You don't want to become guilty of plagiarism by letting someone else's words get inadvertently mixed in with your own. If you do feel the need to paste in a block of research while you're writing, be sure to highlight the copied text in a different color so you can go back and remove or rewrite it entirely later.
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For a decade, I was a stay-at-home mom. I sent my husband to his law office, sat on PTA boards and baked cookies - great cookies. All of a sudden, I had no husband, no job, few prospects, and two small children who had grown accustomed to eating.
Ignorance is bliss, or so we're told. Personally, I find ignorance is also destiny.
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Be wary of cutting and pasting research nuggets directly into your manuscript.
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If you are writing a thriller with violence in it, the ending must be violent. You are delivering a promise to your reader.
If you're not in the hands of an expert editor, you really can go wrong in a lot of different ways.
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Look realistically at espionage thrillers again. They're not only alive, readers are excited about them.
Sometimes you get what you want not because it's right or fair or even smart, but because you just don't know any better.