Geoff Johns
Geoff Johns
Geoff Johns is an American comic book and television writer, film producer, and television producer. He is the president and Chief Creative Officer at DC Comics; he has served in the latter position since 2010. His most notable work in different media has used the DC Comics characters Green Lantern, Aquaman, The Flash and Superman. He is well known for his work on The WB/The CW's Smallville, Arrow and The Flash...
NationalityAmerican
ProfessionComic Book Author
Date of Birth25 January 1973
CityDetroit, MI
CountryUnited States of America
fall character focus
Were really trying to make Crisis as accessible as possible, which is extremely difficult to do because it involves so many characters. But, again, you dont need to know all the details. Obviously the mainstays are there Superman, Batman, Wonder Woman and heavily focused on. There are a ton of great characters, and a lot happens to them over the course of Infinite Crisis . Some change and evolve, others fall, but it really is about trying to bring everybody on stage. We probably have 90 percent of the DCU showing up, if not more but without losing focus on what the story is.
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I think Aquaman feels - and deservedly so - like an A-list, premier DC hero. I hope that carries on; it certainly will carry over to Justice League.
flash major showcase
'Flashpoint' is a showcase to demonstrate why the Flash is a major character, just like how we've done with Green Lantern. It's important that the Flash can hold his own.
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The ocean is 90% unexplored. It's a great canvas to paint Aquaman stories across, just like Green Lantern has space. It's more organic, which makes it different and interesting. It's alien, but it's terrestrial.
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I don't know who made the first Aquaman joke. I'm sure it was comics readers; maybe we all did. But it's the idea that the perpetuated story of Aquaman is that he only has powers in water, and he talks to fish. I think it's the idea of him in the middle of a city just doesn't make a lot of sense to people. It's just the character itself.
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I've been writing 'Green Lantern' for a long time, and one of the reasons I've enjoyed it is because the depth of stories you can tell is pretty endless with space and everything.
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Any character can find an audience and work if you have passion for that character. You might have to just scrape off the dirt and the barnacles and pull it out and highlight it.
people
'The New 52,' I was really excited that new people got to jump in on books. In particular, on 'Aqua Man.'
adding built expanding green lantern proud stuff telling universe
I'm really proud of all the stuff we've built with Green Lantern - from Larfleeze to the different corps. The universe has expanded and will live well past my run. It was more than just telling another story, but really giving back to the character by expanding and adding to their mythology.
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Greg Berlanti, Marc Guggenheim and Andrew Kreisberg are fantastic producers and showrunners, and they lead a very, very positive, fun, creative environment to work in and to work with.
dealing fear grew lantern obviously
As long as Green Lantern is still dealing with fear, it's going to be relevant. 'Rebirth' really grew out of 9/11. 9/11 happened, and then two years later, I was writing about fear. It was obviously connected.
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The DC Universe has the best villains in fiction, right? I don't think there's any group of villains collectively or anywhere else that come close to DC's. Joker, Cat Woman, Lex Luthor, are all staples. A lot of the comic book icons are fiction icons.
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I think supporting casts in comics are missing. I think a lot of the time in comics, all we have are people in costumes talking to other people in costumes, superheroes talking to superheroes and supervillains, and that's it.
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I am always a sucker for the underdogs. I love Batman and Superman, but when it comes to the guys who don't stand in the front of the line, Aquaman is one of the key guys for me. He's so much fun to work on.