Gore Verbinski
Gore Verbinski
Gregor "Gore" Verbinskiis an American film director, screenwriter, producer and musician. He is best known for directing the first three films of the Pirates of the Caribbean film saga, The Ring, and Rango. Verbinski is a graduate of UCLA School of Theater, Film and Television. His most recent film, The Lone Ranger, was released in 2013. Verbinski won the Academy Award for Best Animated Feature in 2012 for his animated action-comedy western Rango. With his films having a collective worldwide...
NationalityAmerican
ProfessionDirector
Date of Birth16 March 1964
CityOak Ridge, TN
CountryUnited States of America
What's nice about him is that he has more confidence in swallowing a pebble and letting the ripples play on the surface, than in making a big splash. He's working less externally. His greatest moments are when he's not even aware of what's registering on his face.
My respect for animation has gone way up. It's a truckload of work. I have to sit with my animators the same way I'd sit with my actors and cast them.
I think comedy is drama, often. It's hard to have comedy over a period of time - commercials are one thing, but over a period of time - comedy and tragedy go hand in hand.
I want to diagnose the audience a bit and then offer a cure.
Animation is a technique, not a genre.
I find it ironic that fear is eliminating the possibility to tell stories that depict our ability to overcome fear
It's a mistake for Hollywood to impose themselves on the gaming space. Not only is it arrogant, but it hasn't really worked.
I think comedy is drama, often. It's hard to have comedy over a period of time - commercials are one thing, but over a period of time - comedy and tragedy go hand in hand.
All the traditional westerns are about choice and the individual. When progress comes it's much more difficult to define the individual in that world.
For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
Honestly, every person, every individual has a process, and my philosophy, whether it's an actor or an animator, is you try to understand the process that person has so you can get the most out of them, but I think you have to sort of manipulate that process with honesty.
Everyone always wants to find the answer, to feel that things are resolved. But in dreams, maybe there isn't an answer so much.
Drama is drama, and it's really... if it's something small, you put a magnifying glass up to it; if it's something big, you use a wide lens.
Nothing's occurring in animation - you manufacture everything.