Gunter Grass
Gunter Grass
Günter Wilhelm Grasswas a German novelist, poet, playwright, illustrator, graphic artist, sculptor, and recipient of the 1999 Nobel Prize in Literature...
NationalityGerman
ProfessionNovelist
Date of Birth16 October 1927
CountryGermany
against age altogether begins life literary memory observe plays principle reinvent tend terms time tricks
Over the years, I had something in principle against autobiographical writing altogether because memory plays tricks on us, and we also tend to reinvent ourselves. But there comes an age when one begins to observe life, and there are things that need time to mature, also in terms of literary form.
aware cannot recover sensual sheet turn
With drawing, I am acutely aware of creating something on a sheet of paper. It is a sensual act, which you cannot say about the act of writing. In fact, I often turn to drawing to recover from the writing.
amidst beyond books corner early imagine learned
My sister and I did not have our own rooms, or even a place to ourselves. In the living room, beyond the two windows, was a little corner where my books were kept, and other thing - my watercolors and so on. Often I had to imagine the things I needed. I learned very early to read amidst noise.
alive author certain characters good paper point process start time wonderful work
It is a wonderful thing in the process of writing when such paper characters are first sketched, and, when one is doing good work, from a certain point in time they come alive and start contradicting the author as well.
account behind determined existence guests leave nuclear period recognise short spend
If we take into account the existence of our planet, we have to recognise that we are guests that spend a short and very determined period in this world, and all we leave behind is nuclear waste.
fact giving later misguided remember space tin totally
I remember when I was writing 'The Tin Drum,' I had the totally misguided idea of giving Oskar Matzerath a sister, and he just wouldn't have it. There was no space for a sister, yet I had the character of the sister in my head. In fact I used her in later novels, in 'Cat and Mouse' and 'Dog Years,' Tulla Pokriski.
border death democratic drawings drawn federal germany poisoned published republic seen
I have seen and drawn dying, poisoned worlds. I published a book of drawings called 'Death of Wood' about one such world, on the border between the Federal Republic of Germany and what was then still the German Democratic Republic.
book books came diary felt life period special time tin
I can only write a book like 'The Tin Drum' or 'From the Diary of a Snail' at a special period of my life. The books came about because of how I felt and thought at the time.
artificial certain cultivated face including keeps literary plant test writer
A writer must face up to the test of reality, including political reality, and that can't be done if he keeps his distance. A literary style cultivated like a hothouse plant may show a certain artificial purity, but it won't really be pure.
bound future minds mixed possible present thinking
Our minds aren't bound by a chronological corset. When thinking and dreaming, past, present and future are mixed up. That's also possible for a writer.
art flowering stays
No idea stays pure. Even the flowering of art isn't pure. And the sun has spots.
brought catholic moved religion
I was brought up Catholic and know the stench of the Catholic Church. I moved away from religion early, but the impression remains.
children
I've always been surrounded by children - never bothered by their noise.
bit newspapers tone
I think it's a shame that we have 'Bild' like you have the 'Sun'. Now serious newspapers like 'FAZ' and 'Spiegel' use a bit of the tone of 'Bild.' This is terrible.