Ira Sachs
![Ira Sachs](/assets/img/authors/ira-sachs.jpg)
Ira Sachs
Ira Sachsis an American filmmaker. His first film was the acclaimed short Lady...
NationalityAmerican
ProfessionDirector
Date of Birth21 November 1965
CountryUnited States of America
chorus downtown event lived memphis theater
Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York.
coming films iran stuff taiwan
I find the stuff that is exciting to me are the films coming out of Taiwan and Iran and France. So I have the feeling I'm not making the films that American distributors want to make.
honesty design feelings
I try to keep feeling what's going on and try to use the camera, the actors and the design to enhance those feelings. There's something really emotionally direct and honest about how I put the material with the images. You hope that the strength of mise-en-scene comes from an honesty towards the material. You also hire really well.
catching life middle thrown
I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things.
aspects exciting good hidden life movies revealing secrets truths
Secrets make for good drama, and revealing the hidden truths and contradictions of life is, for me, one of the most exciting aspects of making movies.
adam artists campaign center downtown filmmaker films invites love name obama present queer realized series soon structure york
Working on the Obama campaign was a life-changer for me. I realized during that campaign that structure is the name of the game, and so, soon after the election, filmmaker Adam Baran and I started Queer/Art/Film, a monthly series at the IFC Film Center in downtown New York that invites queer artists to present the films they love to an audience.
belong needs wants
Everyone wants to belong, and everyone needs to belong in order to make a career on some level.
queer
My films might have been queer - because I was - but they were not gay.
time
You can be aware of the passing of time without being nostalgic.
awards deeply depend dependent expression filmmakers histories intricate personal public relationships spirit work
As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
connected create reality sets time
Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.