Ismail Kadare
Ismail Kadare
Ismail Kadareis an Albanian novelist and poet. He has been a leading literary figure in Albania since the 1960s. He focused on short stories until the publication of his first novel, The General of the Dead Army. In 1996, he became a lifetime member of the Academy of Moral and Political Sciences of France...
NationalityAlbanian
ProfessionNovelist
Date of Birth28 January 1936
CountryAlbania
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An Albanian’s house is the dwelling of God and the guest.’ Of God and the guest, you see. So before it is the house of its master, it is the house of one’s guest. The guest, in an Albanian’s life, represents the supreme ethical category, more important than blood relations. One may pardon the man who spills the blood of one’s father or of one’s son, but never the blood of a guest.
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And everything would be different, different.
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In general, literature is a natural adversary of totalitarianism. Tyrannical governments all view literature in the same way: as their enemy. I lived for a long time in a totalitarian state, and I know firsthand that horror.
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Having spent the greater part of my life under a Communist dictatorship, I am very familiar with the Bolshevik mentality according to which an author in general, and an eminent author in particular, is always guilty, and must be punished accordingly.
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If you are a serious writer or just a normal one, in one way or another, you are writing in the service of freedom. All writers know, understand, or dream that their work will be in the service of freedom.
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The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania.
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The laws of literary creation are unique; they don't change, and they are the same for everyone everywhere. I mean that you can tell a story that covers three hours of human life or three centuries - it comes to the same thing. Each writer who creates something authentic in a natural way instinctively also creates the technique that suits him.
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We cannot deny that 80 or even 90 percent of the spiritual treasures from the past 3,000 years have come from Europe. There is no other Greek theatre anywhere else in the world. There is no other Shakespeare, Dante or Cervantes.