Jack Valenti
![Jack Valenti](/assets/img/authors/jack-valenti.jpg)
Jack Valenti
Jack Joseph Valentiwas a longtime president of the Motion Picture Association of America. During his 38-year tenure in the MPAA, he created the MPAA film rating system, and he was generally regarded as one of the most influential pro-copyright lobbyists in the world...
NationalityAmerican
ProfessionEntrepreneur
Date of Birth5 September 1921
CityHouston, TX
CountryUnited States of America
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In the last several years, piracy has been the dominant issue that has consumed my life,
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There was no mention of content, ... The White House and its representatives did not say anything about that because they knew that was not the subject that was up for either debate or suggestion. Content was off the table.
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Frankly I will confess to this panel that privately I take issue every now and then with the rating of a film, and I think the rating board might have erred. But if there are errors in the accuracy of a movie rating, it is a matter of a judgment call and not an exile in integrity,
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The digital world, the world of virtual reality ... is going to be part of the embrace of this great, new cooperative venture.
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They are sprung from the same DNA , for God's sake. They are always onstage. They are always performing.
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I don't know any other business that tells you not to go in and buy their product.
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If what you own cannot be protected, you own nothing.
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No one today knows what is indecent.
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Foreign capital to build new cinemas will help modernize China's aging cinema infrastructure, attract Chinese consumers back into cinemas, and increase demand for U.S. films.
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If movies are causing moral decay, then crime ought to be going up, but crime is going down.
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If you buy a DVD you have a copy. If you want a backup copy you buy another one.
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There are public servants, and there are public servants who are stars. Antonio is a star . . . . He is an enticing man.
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to tell us what kind of movies to make.
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Yet one thing has not changed, ... A moviemaker's single indispensable asset -- as elementally essential now as it was in the Golden Years -- is the Story. And that means studio executives of this era must share the same DNA as industry pioneers in at least one particular -- the ability to find a narrative with heart and heat.