Jeff Lemire
Jeff Lemire
Jeff Lemireis a Canadian cartoonist. He is the author of titles including the Essex County Trilogy, Sweet Tooth, The Nobody, and Animal Man. Lemire is known for his moody, humanistic stories and sketchy, cinematic, black-and-white art. As of early 2016, Lemire writes All-New Hawkeye, Extraordinary X-Men, Moon Knight and Old Man Logan for Marvel, Descender and Plutona for Image, and Bloodshot Reborn for Valiant...
NationalityCanadian
ProfessionArtist
Date of Birth21 March 1976
CountryCanada
beginning comics kinds mainstream personal small stories stuff superhero valiant work
I never thought I would work in mainstream superhero comics or Valiant or Marvel. I just set out to make the kinds of stories I wanted to make, which at the beginning was small personal stuff like 'Essex County.'
comics dc digest grocery mom paul reading remember shopping since society stuff versions
I've been reading comics since I was four. I used to get them when I would go grocery shopping with my mom. I remember getting the digest versions of old DC comics. The one that I remember reading first was Paul Levitz' 'Justice Society of America' stuff that he was doing in the '70s.
allowed bergman cinematic comics draw influences time visuals
I draw on a lot of cinematic influences like Ingmar Bergman and Wim Wenders, artists who let a story take its time. Comics are a visual medium, and visuals should be allowed to tell some of that story.
busy comics drawing love maybe ten thousand
I would love to learn archery. Unfortunately I'm too busy writing and drawing ten thousand comics a month. Maybe one day!
exploring fiction flying guns ray science shooting worlds
I think when science fiction is at its worst, it's just spaceships flying around shooting at each other. There has to be a lot more going on than that... science fiction is about exploring new worlds and new ideas, not about ray guns and action, necessarily.
attracted dc work
I've always been attracted to themes of isolation in my work - in my independent work and my DC work.
indie life mostly work
My indie work is mostly reality-based, focused on real life and characters.
computers gap houses huge iphone relationship six technology using wildly
I look at my son and his relationship to technology, and I think back to when I was six and how wildly different the world is in that regard. I see him using an iPhone and all this stuff, and then I think back to when I was six. We didn't even have computers in our houses at all yet. This is a huge gap between our experiences as children.
evident horror stories
I never - when I go into a project, I don't think too much about if there's a lot of other sci-fi books out there or horror books or whatever. I just tell the stories I want to tell, and I think that is evident on the page.
characters enjoy means putting shock unless
I don't enjoy putting my characters through hell unless there's a reason. I don't use violence or anything just for shock value. They're always a means to an end.
finds sad super uplifting work
Everyone finds my work super sad. I never do. I always find it uplifting in a weird way.
breed certainly culture draw fear hard hatred heart muslims north parallels people since treated viewed
It's not hard to look at our own world and draw parallels between 9/11, for example, and how Muslims are viewed or treated by North American culture since then. Just to see the way fear can breed hatred and intolerance for people who aren't the same as us - and that's certainly part of what's at the heart of 'Descender.'
valiant
For me, Bloodshot was the least appealing character that Valiant had. He was so cold.
cartoonist tend
I tend to write my beginnings and endings first - as a cartoonist and storyteller, I couldn't sit down every day if I didn't know where the story was headed.