Jeff Lemire
Jeff Lemire
Jeff Lemireis a Canadian cartoonist. He is the author of titles including the Essex County Trilogy, Sweet Tooth, The Nobody, and Animal Man. Lemire is known for his moody, humanistic stories and sketchy, cinematic, black-and-white art. As of early 2016, Lemire writes All-New Hawkeye, Extraordinary X-Men, Moon Knight and Old Man Logan for Marvel, Descender and Plutona for Image, and Bloodshot Reborn for Valiant...
NationalityCanadian
ProfessionArtist
Date of Birth21 March 1976
CountryCanada
dan enjoyed gave grateful great jim lee people time work
I enjoyed my time at DC. Dan Didio, Geoff Johns and Jim Lee were great to me, and I'm very grateful for the opportunities they gave me. Having said that, I think it's important to try new things and work with new people to keep myself fresh.
coming fresh letting sit time
Letting a project sit and coming back to it is just as important as working on it all the time. You need to come back to it with fresh eyes.
allowed bergman cinematic comics draw influences time visuals
I draw on a lot of cinematic influences like Ingmar Bergman and Wim Wenders, artists who let a story take its time. Comics are a visual medium, and visuals should be allowed to tell some of that story.
almost eight exit focused handle morning nine studio time whatever work
I can handle a lot of work. I've always been able to. I'm a very focused individual. I come to my studio at about 7:30 in the morning and exit almost 5:00 P.M. In that time, those eight or nine hours, it's kind of laser focus on whatever I'm working on. There aren't really any distractions or anything.
almost arrow baker buddy care green spend time
You spend so much time writing a character the way I did with Buddy Baker and then Green Arrow that you start to care about them. And you almost think of them as people, you know?
exploring fiction flying guns ray science shooting worlds
I think when science fiction is at its worst, it's just spaceships flying around shooting at each other. There has to be a lot more going on than that... science fiction is about exploring new worlds and new ideas, not about ray guns and action, necessarily.
attracted dc work
I've always been attracted to themes of isolation in my work - in my independent work and my DC work.
indie life mostly work
My indie work is mostly reality-based, focused on real life and characters.
computers gap houses huge iphone relationship six technology using wildly
I look at my son and his relationship to technology, and I think back to when I was six and how wildly different the world is in that regard. I see him using an iPhone and all this stuff, and then I think back to when I was six. We didn't even have computers in our houses at all yet. This is a huge gap between our experiences as children.
evident horror stories
I never - when I go into a project, I don't think too much about if there's a lot of other sci-fi books out there or horror books or whatever. I just tell the stories I want to tell, and I think that is evident on the page.
characters enjoy means putting shock unless
I don't enjoy putting my characters through hell unless there's a reason. I don't use violence or anything just for shock value. They're always a means to an end.
finds sad super uplifting work
Everyone finds my work super sad. I never do. I always find it uplifting in a weird way.
breed certainly culture draw fear hard hatred heart muslims north parallels people since treated viewed
It's not hard to look at our own world and draw parallels between 9/11, for example, and how Muslims are viewed or treated by North American culture since then. Just to see the way fear can breed hatred and intolerance for people who aren't the same as us - and that's certainly part of what's at the heart of 'Descender.'
valiant
For me, Bloodshot was the least appealing character that Valiant had. He was so cold.