John Berger
John Berger
John Peter Bergeris an English art critic, novelist, painter and poet. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to a BBC series, is often used as a university text...
NationalityEnglish
ProfessionArtist
Date of Birth5 November 1926
drawing way connections
Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
artist drawing intimacy
There's the artist's intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn]. Picasso drawings are like that... the Rembrandts are like that. The artist who most often did that was Van Gogh.
drawing people trying
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it. You cant draw it for others. You can try, of course, but it doesn't work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
communication artist drawing
A drawing is essentially a private work, related only to the artist's own needs; a 'finished' statue or canvas is essentially a public, presented work - related far more directly to the demands of communication.
discovery drawing records
A drawing is an autobiographical record of one's discovery of an event - either seen, remembered or imagined. A 'finished' work is an attempt to construct an event in itself.
white drawing use
I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase. For me, drawing is a lot to do with taking out, with returning to the white of the paper.
artist drawing discovery
For the artist, drawing is discovery. And that is not just a slick phrase; it is quite literally true.
photography drawing doe
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
life power seemed
It has always seemed to me that those who are without power, who have to create their own in a makeshifit way, know more about life than those who govern.
accurate choosing enter life modest
I think I'm very permeable. I can very easily, without even choosing to do it, enter the life of another. Or, to put it in a more modest and accurate way, for that life to enter mine.
absolutely art became encouraged enormous felt few hundred lived paintings people somehow whether
When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I was absolutely passionate about it and felt those paintings and those painters, whether they lived a few hundred years ago or were still alive, were somehow my companions.
anytime came crude interest labor likely takes unless
We came back from Labor Day, and the interest has just exploded, ... It's just going to get more and more from here unless crude just takes a bath. That doesn't look likely anytime soon.
calf certain figures tangled
In drawing after drawing, pastel after pastel, painting after painting, the contours of Degas's dancing figures become, at a certain point, darkly insistent, tangled and dusky. It may be around an elbow, a heel, an armpit, a calf muscle, the nape of a neck.
culture except hope industrial longer pleasure power recognises society within
The industrial society... recognises nothing except the power to acquire... No other kind of hope or satisfaction or pleasure can any longer be envisaged within the culture of capitalism.